No arms, no legs as well as no prevailing identity due to the unfortunate loss of head and neck. As the fragmented sculpture of the Belvedere Torso arose from the soil almost seven centuries ago,...Show moreNo arms, no legs as well as no prevailing identity due to the unfortunate loss of head and neck. As the fragmented sculpture of the Belvedere Torso arose from the soil almost seven centuries ago, one was faced with the seemingly impossible task of restoring its mutilated appearance. Inspired by the age-old notion of ekphrasis and its recent connotation with the restoration of artifacts, this thesis aims to propose, categorize and characterize a specific genre of painting that could help one to restore the fragment of the torso without having to handle it. By moving away from the descriptive traditional interpretation of ekphrasis and applying its method to the visual, this paper concerns itself with exemplifying the new genre of visual ekphrastic restoration through a selection of paintings that feature the Belvedere Torso in its scenery.Show less
The ability to print objects in three-dimensions is a new form of copying that has recently entered the art world. Even though we are familiar with the replication of art, there is a rising...Show moreThe ability to print objects in three-dimensions is a new form of copying that has recently entered the art world. Even though we are familiar with the replication of art, there is a rising awareness of the existence of replicating famous artworks through 3D printing for it offers something new compared to previous replication methods (e.g. photography and film). With 3D technologies it is possible to replicate both texture and the visual qualities of art at a high resolution including every minor detail at a very fast pace. Moreover, the prints are made of polymer, a material resistant to environmental changes. With the rapid speed at which technology has been developing in the twenty-first century it will only be a matter of time before 3D prints become more accurate, cheaper to manufacture and – because of the internet and social media – accessible to almost everyone. It is inevitable that a large quantity of high quality one–to–one replications of original artworks will be introduced on the art market, in museums and in people’s homes. This thesis tries to investigate what the existence of indistinguishable prints will mean for the perception and authenticity of the original artwork and whether or not 3D printing can be used in the advantage of the original as a tool to conserve the original. Furthermore this thesis touches upon the possibility of the authentication of the replica and what this will mean for the original work of art in the present and future.Show less
