Connecting Kaurismäki to irony is not surprising, but is surprisingly enough, not so much scholarly researched in the past. Irony appears in different disguises, largely depending on the function...Show moreConnecting Kaurismäki to irony is not surprising, but is surprisingly enough, not so much scholarly researched in the past. Irony appears in different disguises, largely depending on the function of it; what the ironist wants to achieve. Applying it can originate from an urge to complicate a matter of discussion but can also be applied to translate the oppositional stance the ironist wants to reveal. In the case of the enigmatic Kaurismäki his intentions or motivations in his choice of theme and subject are essential to the humour he adapts in telling his stories, but always remains somewhat vague. This thesis provides an image of how irony prevails and functions in his cinema on the base of a series of comparative case studies linked to three of his films: I Hired a Contract Killer (1990), The Man Without a Past (2002) and The Other Side of Hope (2017). It eventually sets out an idea of a filmmaker who, by applying irony, both distances though simultaneously engages himself with his audience in his own wayward fashion.Show less
