The Shinto imagery and iconography in Shinkai Makoto's film Kimi no Na wa appears to be used to add to the portrayal of a furusato in order to aid the film’s aesthetical countryside town and...Show moreThe Shinto imagery and iconography in Shinkai Makoto's film Kimi no Na wa appears to be used to add to the portrayal of a furusato in order to aid the film’s aesthetical countryside town and ultimately aiming to evoke feelings of nostalgia for a “traditional” Japan. The film, which shows a definite two-split of the Japanese landscape, gives a very stereotypical view of urban Tokyo as a fast paced city, and with Itomori as the furusato poster child, playing into nationalist views of a traditional Japan as opposed to a western influenced Japan. This Thesis explores these topics as it aims to answer the question of; How are religious and spiritual beliefs of Japanese Shinto portrayed in the animated film Kimi no Na wa, how does this portrayal help shape the film’s story and how does this play a role in the discourse on the urban-rural divide in Japan?Show less
This study explores the historical transformation and contemporary perception of the Taoyuan Shrine in Taiwan, shedding light on the complex interplay between heritage preservation and visitor...Show moreThis study explores the historical transformation and contemporary perception of the Taoyuan Shrine in Taiwan, shedding light on the complex interplay between heritage preservation and visitor experience. Beginning with the Dutch conquest in 1624, Taiwan's colonial history has been shaped by foreign powers, with Japanese rule (1895-1945) leaving a lasting impact. Amidst the transition from Shinto Shrines to Martyrs' Shrines under the martial regime of the Kuomintang (1949-1987), the Taoyuan Shrine stands as an exception, touted for retaining its original appearance. However, questions arise regarding the authenticity of this preservation effort, particularly within the context of a Cultural Park offering commodified experiences. Examining the intertwined notions of heritage preservation and visitor perception, this study seeks to address the question: To what extent does the Taoyuan Shrine remain authentic in the aftermath of structural changes and how is this authenticity perceived by contemporary visitors? This investigation spans two distinct research areas – an exploration of built environment authenticity through qualitative analysis and fieldwork, and an examination of visitor perceptions via a survey informed by key academic discussions. By delving into these dimensions, this study contributes to heritage studies and the discourse on authenticity.Show less
Representative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties....Show moreRepresentative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties. She discusses the delicate topics of female suffering and self-expression, which broaches unavoidably the salience of religious influence on the historical formation of gender roles in the Japanese society. In this thesis, I will analyze this subject through the dichotomy of purity versus impurity, as it is instrumental in organizing space in the lives of ordinary Japanese. In varied contexts, purity is used to contrast the sacred and the abominable, the clean and the polluted, or the male and the female body. By placing the paintings of Matsui Fuyuko in the syncretic religious context unique to Japan, it is possible to establish a connection between Buddhist meditation practices and Shinto rituals. In this sense, the aesthetic collation of the pure feminine and the shock-inducing realism of the rotting female corpse in Matsui's paintings can be seen as a form of social protest against pernicious gender biases. She challenges the traditional expectations towards women to display humility, self-restraint and to embrace their role as mothers and caretakers by instead painting them in defiant and provocative poses. The main question to be tackled in this research is how the painter modifies the concept of purity to communicate her feelings and ideas to the viewer through artistic means. I will disclose why the art of Matsui Fuyuko can be seen as an emotional purification of the artist, a meditative tool for the audience, as well as how it defies traditional views on the female body.Show less
The Japanese Government, since the establishment of the Kyoto Protocol, has failed in effectively addressing climate change. Research has shown that the Japanese Government’s failure in combination...Show moreThe Japanese Government, since the establishment of the Kyoto Protocol, has failed in effectively addressing climate change. Research has shown that the Japanese Government’s failure in combination with its control over the media developed a misleading conception among the Japanese population of its efficacy in implementing environmentally-friendly policies, thus different kinds of communication are needed. This study aims to determine how employing art as a surrogate form of communication might raise awareness on the necessity and urgency of tackling environmental issues in Japan. Building on an alternative conception of the human-nature relationship arising from Zen Buddhist and Shinto values, this study asks: “To what extent can ecological art in Japan promote a message of sustainability that raises awareness and enhances the action of everyday actors?” By means of process-tracing combined with a case study analysis, this study illustrates the causal mechanisms between the Japanese religio-cultural inspired conception of the human-nature relationship, ecoart, and the establishment of a more environmentally friendly society. The case study analyses on the Echigo-Tsumari Art Field (ETAF) initiative showed that, by means of ecoart focused on community, locality and emotions, ETAF represents a viable model for Japan to increase ecoart initiatives and stimulate grassroots efforts towards environmental protection by means of art. Further research is needed on the initiatives engaging with the Japanese public aimed at delivering a message of environmental betterment by means of art and culture, as well as to determine the effects of ecoart in other parts of the world.Show less
