Deze scriptie onderzoekt de totstandkoming en perceptie van De Eerste Russische Kunsttentoonstelling van 1923 in het Stedelijk Museum Amsterdam. De Nederlandse nieuwsbladen schreven niet enkel...Show moreDeze scriptie onderzoekt de totstandkoming en perceptie van De Eerste Russische Kunsttentoonstelling van 1923 in het Stedelijk Museum Amsterdam. De Nederlandse nieuwsbladen schreven niet enkel negatief, maar ook vol bewondering, verbazing en nieuwsgierigheid over de Russische moderne vormentalen. Tevens wordt de Russische avant-gardekunst gepositioneerd tegenover het Nederlandse kunstwezen van de jaren twintig. Sjeng Scheijen schrijft over het stilvallen van interculturele beïnvloeding tussen Nederlandse en Russische kunstenaars. De literatuur richt zich voornamelijk op De Stijl. In deze scriptie ligt het accent daarom op de Groningse kunstenaarsgroep De Ploeg. Uit de casus Werkman-Lissitzky blijkt namelijk wel degelijk dat er sprake is van artistieke uitwisseling, zoals te zien is in Werkmans kunstenaarsblad The Next Call.Show less
Research master thesis | Arts and Culture (research) (MA)
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This research looks at two parallel theoretical approaches. The first deals with contemporary exhibitions and the curatorial procedures that are introduced in the 1960s, while the other focuses...Show moreThis research looks at two parallel theoretical approaches. The first deals with contemporary exhibitions and the curatorial procedures that are introduced in the 1960s, while the other focuses more on Conceptual Art and its emergence during the same period. After 1960s, many artists introduced a more experimental and conceptual dimension in their work therefore, art started altering. More specifically, the integration of postwar sculpture into Conceptual Art and vice versa, brought about a transition in the curatorial procedures that were developed during the 1960s in the Netherlands and beyond. The main objective of this thesis is to examine the ways in which this progression occurred, by analyzing the innovative approach of Wim Beeren in the exhibition ‘Op Losse Schroeven’ and 40 years later Cherix’s prudent idea in the exhibition ‘In and Out of Amsterdam’. Through this critical investigation, an adequate and appropriate assessment of the emergent ‘new art’ is offered in combination with the alteration of art production. Through this research I intended to examine the roles of both international and Dutch artists along with international and Dutch galleries and museums, in the emergence of the abovementioned 'new art'.Show less
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