During the past decade, the Syrian civil war has put a halt to almost all archaeological research in Syria. But the sites, and the people who take care of them, remain. Within North-East Syria,...Show moreDuring the past decade, the Syrian civil war has put a halt to almost all archaeological research in Syria. But the sites, and the people who take care of them, remain. Within North-East Syria, archaeologists are left to pick up the pieces from what has turned into one of the 21st century’s longest conflicts to date. Simultaneously, a political revolution, partly driven by a left-wing anti-state ideology known as Democratic Confederalism, has taken hold of the region. A radical revision of all previous government structures occurred, including heritage organisations. In this thesis, the way these structures operate and the history that gave way to them is investigated through the use of interviews with relevant participants. By placing this in the broader context of the Kurdish Freedom Movement and the Syrian Civil War, we can uncover the until- now unreported efforts to revive Syria’s archaeological scene on the ground. Motivated by a new political paradigm and the experiences of decades of marginalisation, North-East Syria’s new heritage and archaeology institutions have put in a tremendous effort to save the troubled region’s antiquities. At the same time, the progressive political outlook of this autonomous region also permeates it’s heritage institutions, with decentralised democracy, gender parity and multiculturalism being key features of their organisations.Show less
Stylized depictions of animals with imposing horns, birds and various other animal species are often seen as characteristic for Halaf painted pottery. In fact they remain exceptional as Halaf Fine...Show moreStylized depictions of animals with imposing horns, birds and various other animal species are often seen as characteristic for Halaf painted pottery. In fact they remain exceptional as Halaf Fine Ware is generally dominated by geometric motifs. There is more about these figurative motifs than meets the eye. Apart from species identification, how can we interpret this figurative art? This study investigates the animal symbolism as painted on Halaf Fine Ware ceramic containers from Tell Sabi Abyad, located in the Balikh region of northern Syria. In order to interpret these animal motifs, the study contextualizes the motifs against the zoo-archaeological record, the depositional context, and the context of use. It appears that animals used in art were special, showing an inverse relationship with the faunal record. These animals probably represented seasonality and danger, and they may have been related to taboos and apotropaic magic. Moreover, some animals might have functioned within complex narratives, which were brought to life as the vessels upon which they were painted were discussed during Halaf commensality practices.Show less
Summary This thesis investigates the Middle Assyrian jewel assemblage from Tell Sabi Abyad, which comprises a period of about 110 years from 1225 BC to at most 1115 BC. The dunnu with only 900...Show moreSummary This thesis investigates the Middle Assyrian jewel assemblage from Tell Sabi Abyad, which comprises a period of about 110 years from 1225 BC to at most 1115 BC. The dunnu with only 900 people belonging to it was quite a small village; however its significance was based on the location. Its significance is demonstrated by the fact that the dunnu was ruled by powerful, high ranking officials who were members of the royal family. The western provinces of the Assyrian empire were essential for agricultural production. Moreover the tell was not only situated close to the border of the Hittite empire, but was also located at an important trade route from the Levant, North Syria and Anatolia to Aššur. This is mirrored in the jewelry assemblage, which shows far reaching trading connections with raw stones, shells and manufactured products. There is evidence for stone and shell processing for jewelry purposes, but metal items were likely received from bronze working centers like Tell Brak, Chuera or Aššur. On Tell Sabi Abyad graves with cremations and inhumations were encountered. Often the graves yielded, beside various objects, jewelry. Not all graves contained jewelry and the graves with jewelry showed considerable variations in abundance. Two cremation graves have striking similarities in abundance and types of jewelry. Especially figurative, exotic types such as scarabs, frogs, duck weights and pomegranates are found in this context. Jewels were worn by females, males and children and often given into their graves. Women possessed likely the majority, but also man owned bracelets, earrings, necklaces, rings and needles. Striking is the find of two necklaces inside the tower of the fort. Some beads of the necklaces were in shape of phallus symbols and two small combs were likely pendants. Possibly these items belonged to prostitutes who lived in the tower, perhaps in captivity. The design resembles that of other treasures from that region; but Tell Rimah and Aššur show more variety and more wealth than those of the small village Sabi Abyad. Jewels from Sabi Abyad are not exceptional but are designed in Assyrian style typical for that region and period.Show less
This BA thesis investigates the worked-bone assemblage of Late Bronze Age (LBA) Tell Sabi Abyad (ca. 1230-1150 B.C), a settlement mound located in the Raqqa province of Northern Syria. The LBA...Show moreThis BA thesis investigates the worked-bone assemblage of Late Bronze Age (LBA) Tell Sabi Abyad (ca. 1230-1150 B.C), a settlement mound located in the Raqqa province of Northern Syria. The LBA settlement comprises a Middle Assyrian stronghold. It was a military and administrative centre which primarily functioned as a fortified farmstead, named a dunnu by the Assyrians. The goal of this thesis is to determine the character of the assemblage and to shed light on the function and role of the bone artefacts in the LBA society. In addition I have performed a diachronic analysis to find out whether the assemblage changed through time. The worked-bone assemblage is a relatively small but diverse. It comprises approximately 105 artefacts. A preliminary classification, based on morphology, is presented. The assemblage consists of three categories: bone tools, bone ornaments and other bone objects. The category bone tools comprise awls, combs, needles, spatulas and nails. The bone ornaments exist from beads, inlay, plaques and a bracelet. The other bone objects comprise discs, polished knucklebones and a number of miscellaneous objects. First, the function of the artefacts is analysed based on their morphology and when possible, traces of use. For some artefacts, the analysis of the morphology could not shed light on a plausible function. To further elucidate their function and role, the context of the artefacts was analysed. I have tried to elucidate in which areas of the LBA settlement the bone artefacts were used. From the context and morphology it appears that the worked-bone artefacts were used in domestic buildings, workshops and in open areas of the Late Bronze Age settlement. They were probably used for pottery production and in the production of basketry, matting and leather working. The bone objects had a diverse role in society as they were used as tools, jewellery, personal ornaments, game pieces and grave goods. They were present in every phase of the LBA occupation. The worked-bone objects of LBA Tell Sabi Abyad may have been small in numbers but were used in all dimensions of society for a large variety of activities.Show less
This BA Thesis concerns stone axes, adzes and chisels, generally referred to as celts, from Tell Sabi Abyad, Syria, a site dated to the Late Neolithic Period, ca. 7000-5300 cal BC. It aims to...Show moreThis BA Thesis concerns stone axes, adzes and chisels, generally referred to as celts, from Tell Sabi Abyad, Syria, a site dated to the Late Neolithic Period, ca. 7000-5300 cal BC. It aims to investigate the economic and social meaning of these stone tools at the Neolithic settlement excavated there, by examining the tools' morphological and technological features, their provenance, and the context in which they were found. In this thesis, it is stressed that a wide variety of different types of stone celts were used at Tell Sabi Abyad. Many of these celts seam to have been imported from hundreds of kilometers away. Many celts must have been used for a number of economic activities, but some celts seam to have had a more symbolic meaning. Finally, this thesis shows that the way in which stone celts were used during the Late Neolithic was not static, but changed through the course of time.Show less
