This thesis analyzes the Catholic themes within Oscar Wilde’s 1890 novel The Picture of Dorian Gray. In order to accurately do so it will establish proper definitions of gothic fiction and...Show moreThis thesis analyzes the Catholic themes within Oscar Wilde’s 1890 novel The Picture of Dorian Gray. In order to accurately do so it will establish proper definitions of gothic fiction and Catholicism. Moreover, within this analysis on Catholicism and gothic fiction, it will also establish which Catholic themes are significant within the analysis of The Picture of Dorian Gray. After these definitions and particular themes are established, an inquiry into Wilde’s personal life, and his relationship to Catholicism, will be executed. Eventually, an analysis of the novel itself, combining the Catholic themes and the biographical information presented in the earlier chapters, will be carried out. After these analyses are carried out, this thesis will establish that The Picture of Dorian Gray illustrates Wilde’s fear of being completely liberated. The judgment he received from the Marquess of Queensberry, the heteronormative Protestant community he grew up in, and even his lover Lord Alfred Douglas would eventually turn his desires to feel as liberated as his mother into a phobia of being completely free, which is depicted in his own conviction of Dorian Gray.Show less
This thesis delves into the concept of the queer 'Other' in Gothic literature, using Mary Shelley's 'Frankenstein', Bram Stoker's 'Dracula' and Oscar Wilde's 'The Picture of Dorian Gray' as...Show moreThis thesis delves into the concept of the queer 'Other' in Gothic literature, using Mary Shelley's 'Frankenstein', Bram Stoker's 'Dracula' and Oscar Wilde's 'The Picture of Dorian Gray' as examples to analyse the discourse surrounding the figure of the queer Other in nineteenth-century society. Key concepts are the (sexually) queer monster and queer(ing) space and social constructs.Show less
