The potential of female love to transform and redeem immoral male behaviour is a theme that can be seen in three novels: Charlotte Brontë’s Jane Eyre (1847), Emily Brontë’s Wuthering Heights (1847)...Show moreThe potential of female love to transform and redeem immoral male behaviour is a theme that can be seen in three novels: Charlotte Brontë’s Jane Eyre (1847), Emily Brontë’s Wuthering Heights (1847), and Anne Brontë’s The Tenant of Wildfell Hall (1848). This thesis will examine to what extent these novels perpetuate the romanticised ideal of women as the moral and spiritual saviours of men. Through their portrayal of abusive, oppressive or otherwise problematic relationships, the Brontës explore how much influence a woman truly holds over a man’s behaviour. In doing so they navigate different perspectives on whether this ideal makes women submissive or empowered. Rather than subverting the idea of female moral authority, I argue that Jane Eyre and The Tenant of Wildfell Hall reshape the idea to include the possibility for female agency and independence instead of self-sacrifice, whereas Wuthering Heights rejects the concept of moral authority as gendered.Show less
This MA thesis explores the independence of the working heroines in Charlotte Brontë's Jane Eyre (1847), Anne Brontë’s The Tenant of Wildfell Hall (1848), and Thomas Hardy’s Far from the Madding...Show moreThis MA thesis explores the independence of the working heroines in Charlotte Brontë's Jane Eyre (1847), Anne Brontë’s The Tenant of Wildfell Hall (1848), and Thomas Hardy’s Far from the Madding Crowd (1874). The heroines establish and maintain their independence by performing the profession of governess, artist, or farmer, while the love interests threaten the women's independence by encroaching upon their professions. This thesis shows that all three novels are simultaneously ahead of their time in relation to the working women and very much of their time in relation to Victorian conventions.Show less
