The thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's...Show moreThe thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's attributes in the Buddhist and pre-Buddhist religious art of Tibet.Show less
As Chinese domestic tourism to Tibet continues to grow, understanding the mechanisms and ‘effects’ of such ethnic tourism becomes increasingly important. The historical story of the marriage...Show moreAs Chinese domestic tourism to Tibet continues to grow, understanding the mechanisms and ‘effects’ of such ethnic tourism becomes increasingly important. The historical story of the marriage between the Chinese princess Wencheng and the Tibetan king Songtsen Gampo is commonly known in China and employed by the Chinese government to legitimize their modern rule over Tibet. This study uses Critical Discourse Analysis to research a theater play of this story, and the presence of this story in Tibet’s many tourist sites. The results of the analysis reveal a process that shows how state-directed stories could become commonly regarded as ‘true’, with tourism as the primary vehicle to advance such a process. I argue that such a process can be found in other cases as well, and is not unique to the story of princess Wencheng.Show less
The 'White Temple' at Tsaparang, in Western Tibet preserves some of the most important pre-sixteenth century works of art of Tibet. The temple is dated on literary grounds to around 1540, but its...Show moreThe 'White Temple' at Tsaparang, in Western Tibet preserves some of the most important pre-sixteenth century works of art of Tibet. The temple is dated on literary grounds to around 1540, but its works of art seem to indicate - on iconographic and stylistic grounds - that it was built before 1440. The temple used to be one of the main shrines in a monastery still counting circa sixty monks towards the end of the 17th century, but abandoned some time later when Western Tibet depopulated. Tsaparang was rediscovered and first described by the Italian Tibetologist Giuseppe Tucci in the 1930’s. My thesis shows that Tucci mixed the temples up. Facts derived from authoritative Tibetan literary sources have therefor been attributed to the wrong monuments. Contemporary authors focusing on the region have not noticed this, resulting in a growing amount of literature based on an unclarified chronology of the temples at Tsaparang.Show less
