This thesis explores the position the artwork Autonomy Cube (2014) by Trevor Paglen and Jacob Appelbaum takes in what Gilles Deleuze has termed the “Society of Control”. Deleuze specifically...Show moreThis thesis explores the position the artwork Autonomy Cube (2014) by Trevor Paglen and Jacob Appelbaum takes in what Gilles Deleuze has termed the “Society of Control”. Deleuze specifically discusses this society by outlining a development from a disciplined society, constituted by enclosed spaces, to a control society characterized by a more fragmented sense of space. Departing from this spatial theorization of the society of control by Deleuze, this thesis takes the spatial tension between the bordered territory of the nation-state and the borderless realm of the internet as a starting point for thinking about the (public) space that this society provides. Autonomy Cube’s position within this space is analysed by looking at how the artwork, through the online Tor network it gives access to, engages with the complex spatiality that forms the core of the society of control. From there on it is argued that this artwork does not limit itself to a (critical) representation of the control society, but that it positions itself at the center of its logic in order to rebuild and modulate it from within. As such, this thesis aims to shed light on the extent to which art can be consequential for real life in times of the increasing digitalization of society and, more specifically, of the modes of surveillance and control that structure it.Show less
