Despite SF’s general underrepresentation both in academia and the publishing world, there are scholars that have turned to this genre and studied it in relation to Lawrence Venuti’s concepts of...Show moreDespite SF’s general underrepresentation both in academia and the publishing world, there are scholars that have turned to this genre and studied it in relation to Lawrence Venuti’s concepts of foreignization and domestication, introduced in The Translator’s Invisibility (1995). Domestication has been considered “especially problematic due to its inventiveness of fictive worlds and the reliance of its estrangement function upon specific language” (Campbell, 2021, p. 6). One of the ways in which this inventiveness is expressed, is through neologisms, as Freedman (2000) explains, “this device being perhaps the most paradigmatic expression of science-fictional diction” (2000, p. 37). One of the scholars that has discussed neologisms in his work is Peter Newmark (1988), whom we will be discussing in this thesis. Newmark (1988) recognizes in his book, A Textbook of Translation, that translating neologisms is a challenging task, as he emphasizes that “neologisms are perhaps the non-literary and the professional translator’s biggest problem” (p.140). The aim of this thesis is thus to study neologisms within the SF genre in relation to Venuti’s concepts of domestication and foreignization. It will do so by conducting a case study on a SF text, namely Do Androids Dream of Electric Sheep? (DADOES) by American writer Philip K. Dick. In the case study, three Dutch translations of DADOES will be compared to each other and the source text: De Elektrische Nachtmerrie (1969) by Frank Visser, Dromen Androïden van Elektrische Schapen? (1979) by Ivain Rodriguez de León and Blade Runner: Dromen Androïden over Elektrische Schapen? (2017) by Irving Pardoen. The research will focus on chapter three and the neologisms in it. The 26 neologisms were classified using Newmark’s (1988) nine categories of translation procedures, with an additional 10th (proposed category) and 11th category to cover instances of omission. The central research question of this thesis then, is whether the translation choices made by the three translators point to a foreignization or domestication-oriented approach, and which of the three translations can be considered the most domesticated based on the findings. As for the hypothesis, it is speculated that the 1969 and 1979 translations of neologisms will reveal a more domestication-oriented approach, whereas the 2017 text is expected to be more foreignized. In writing this thesis and conducting the case study, I set out to give insight into the potential that SF texts hold for academia and the translation field. Campbell (2021) emphasizes how SF is a “powerful means of communication, not only because it can serve to explore and explain the effect of technological developments, whether native or important, but also and more importantly because it can be a powerful means of social criticism” (p.2.). In a world that is constantly evolving as technology advances at a rapid rate, the subjects discussed in SF are more relevant than ever. Therefore, by studying the “inventiveness” (Freedman, 2000, p.37) of the SF genre in the form of neologisms and in how they are translated, we could learn more about the dynamics and developments in our own world as we speculate about the reasons for these translation choices.Show less
Songs are often translated for musical films and stage musicals. In order to gain more insight into this type of translation, research is needed. While there has been some research, there is still...Show moreSongs are often translated for musical films and stage musicals. In order to gain more insight into this type of translation, research is needed. While there has been some research, there is still a lot to be done in the field of song translation. There are, for example, hardly any comparative studies on different translations of the same song into the same language for different singable purposes. This thesis therefore compares the Dutch translations of songs from Disney’s The Lion King in both the film and the musical version, in order to see if the differences between these translations can be caused by a different focus. This was done by determining the overall translation approach in all songs using Franzon’s (2008) five choices in translation. Additionally, both versions were analysed for the aspects of Low’s (2005) Pentathlon Principle. It was then determined on which aspect the translations focussed. For the film translation, the factors of dubbing, i.e. the visuals and lip synchrony, were taken into account as well. The results show that both the film and the musical translation generally adapt the lyrics to the music. However, the results also show that the film translation generally stayed closer to the ST with regard to sense, compared to the musical translation. This could sometimes be explained by the visuals or the need for lip synchrony. We also see that the musical translation makes more use of singable vowels in long notes than the film translation. Still, the results show that both versions mainly seemed to focus on the rhyme.Show less
There exists a significant amount of research on translation strategies regarding the subtitling of humour and wordplay. However, the translation of eggcorns, malapropisms, and other types of...Show moreThere exists a significant amount of research on translation strategies regarding the subtitling of humour and wordplay. However, the translation of eggcorns, malapropisms, and other types of linguistic blunders have been largely ignored. This thesis attempts to fill this research gap by investigating the translation strategies used for linguistic blunders, or ‘Rickyisms’, in the Dutch subtitles of the Netflix mockumentary Trailer Park Boys. The strategies omission, literal translation, and retention, which occur in taxonomies of existing research were identified. A high rate of omission (64.4%) indicates a significant loss of Rickyisms and humour for the following reasons: no suitable Dutch equivalent (21.5%), temporal/spatial restrictions (15.4%), and grammatical errors (33.8%). Additionally, an overlap between temporal/spatial restrictions and grammatical errors (13.8%) and some omissions which are unjustified (15.4%) were identified. A new two-phase model for the strategies where the Rickyism is retained has been developed. Phase one pertains to the translation of the phrase as if it were correct and phase two pertains to the translation of the error. This resulted in the categories Literal-Literal (58.3%), Literal-Substitution (13.9%), and Substitution-Substitution (27.8%). This first strategy seems to be the preferred one when the linguistic properties of the source and target language permit it. Substitution in phase two includes numerous different shifts in terms of type of error.Show less
This study uses the study by Valdez & Vandepitte (2020) as a framework to answer the research question: To what extent are the differences in attitude and expectation of translators and...Show moreThis study uses the study by Valdez & Vandepitte (2020) as a framework to answer the research question: To what extent are the differences in attitude and expectation of translators and reviewers on the Dutch translation market similar to the situation on the Portuguese biomedical translation market, as described in Valdez & Vandepitte (2020)? This is done by distributing a questionnaire to a group of translators and reviewers, who are active on the Dutch translation market with the language combination English and Dutch. Their answers reveal that the situation on the Dutch translation market is very similar to the situation on the Portuguese biomedical translation market: Translators and reviewers agree on the important aspects of translations (fluency and grammatical correctness) and on the degree to which reviewers should make changes to translations (only if actual mistakes are found, while ignoring personal preference). However, translators and reviewers on both the Dutch and Portuguese translation markets are somewhat unsatisfied with the work of their colleagues, because they appear to not follow the standards that they agree on. This dissatisfaction could be resolved by better communication between translators and reviewers, which is another point of dissatisfaction for translators and reviewers. The findings of this study support the recommendation made by Valdez & Vandepitte (2020) to focus more on communication during translator training.Show less
Catalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular...Show moreCatalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular place and time. The form and content of a catalogue can provide insights into the social norms and scholarly interests of the era in which it was created. Employing a longitudinal and comparative approach, this thesis examines the published catalogues of Leiden University Library’s Hebrew manuscripts collection throughout its four centuries of existence. I compare these catalogues, mark the differences in the ways they describe Hebrew manuscripts, and illuminate the social changes or emerging scholarly fields that likely influenced their creators. Throughout this thesis, I argue that when it comes to Hebrew manuscripts, any examination of historical cataloguing trends or choices cannot be complete without also considering that era’s societal attitudes toward Jews, the original creators of the language and texts contained in said manuscripts. I conclude that there exists a direct correlation between the quality of the catalogues’ manuscript descriptions and the cataloguer’s knowledge of the Hebrew language and of Jewish literature and culture; I extrapolate the implications of this conclusion for the future of manuscript cataloguing in the digital age.Show less
This thesis aims to find out whether or not the procedures mentioned in Byrne’s Scientific and Technical Translation Explained (2014) are applicable to animal names and scientific nomenclature. A...Show moreThis thesis aims to find out whether or not the procedures mentioned in Byrne’s Scientific and Technical Translation Explained (2014) are applicable to animal names and scientific nomenclature. A secondary goal is to create a list of Dutch names for animals in the Gekkonidae family, following the naming guidelines set by Linnaeus (1758) and the International Code for Zoological Nomenclature (1999). After translating the names for 58 genera and 609 species, it was found that the retaining procedure mentioned by Byrne was highly applicable to zoological nomenclature, and a list of animal names for all species in 21 genera in the Gekkonidae family has been made.Show less
The aim of this thesis is to problematize Amitav Acharya’s Global International Relations framework, demonstrate problems with IR’s reliance on the English language, as well as IR’s political...Show moreThe aim of this thesis is to problematize Amitav Acharya’s Global International Relations framework, demonstrate problems with IR’s reliance on the English language, as well as IR’s political economy, and show how these three factors may impede the development and incorporation of Global IR in modern IR overall. The first argument that this thesis presents is a problematization of the emphasis on English within IR, and it will do so over the first two chapters. The first chapter of the thesis tackles with the use of English in the contemporary international climate, where, as Bunce et al. and Kubota & Okuda demonstrate how English shapes and intervenes in international politics and developments. The second chapter, which will look at the state of the English language in IR theory, demonstrates that English is tied closely together with the legitimacy of IR as an academic discipline as well as in the imagining of globalisation, and how it has shaped the creation of the Us vs. Them dichotomy that encounters so much criticism within IR. The second argument, which will be approached in Chapter 3, will turn to the political economy of IR, and how this has helped in the creation of the homogenous academic field we work in today. By looking at the development of the university as an institution for research through Kamola’s argument, the presence of the publish or perish culture, and the problems that this, combined with the English-dominated Western IR, present for the globalising of IR - one of the mission statements of Global IR. This thesis will conclude by suggesting a potential alternative approach that Global IR can look into to tackle the issues that are presented throughout the thesis.Show less
Since the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for...Show moreSince the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for the stylistic features of the source text, and these are therefore largely lost. For a text which relies heavily on stylistic features, such as poetry, this means that a word-for-word translation can actually be an impediment to a full appreciation of the text. Philology and its translation methods originated in the nineteenth century, but more recently, starting from around the 60s and 70s of the twentieth century, the field of translation studies has given rise to alternative ways of thinking about translation. Translation theory has concerned itself with such matters as how best to maintain stylistic features and which word choice might be the most appropriate given the text as a whole. Thus, it seems that there is an opportunity here for a productive cooperation between philology and translation studies. This thesis summarises translation theory which is relevant to the translation of Old English poetry, and directly demonstrates the relevance of translation theory to philology by putting it into practice in the translation of the Old English poem, Deor.Show less
The main topic of this thesis is yakuwarigo in translation. Yakuwarigo, the Japanese word for role language, is a type of language use often used in works of fiction which evokes the image of a...Show moreThe main topic of this thesis is yakuwarigo in translation. Yakuwarigo, the Japanese word for role language, is a type of language use often used in works of fiction which evokes the image of a certain type of character, such as an old man or a young girl, by using certain first-person pronouns, copula and sentence-ending particles (Kinsui 2013). Translating yakuwarigo can be extremely challenging because the Japanese language has many opportunities for variation where English does not. For that reason, yakuwarigo is often standardised in the target text, even though this negatively impacts the uniqueness of the characters (Terada, 2015). While there is quite a bit of literature available on yakuwarigo, hardly any research has been done on the topic of yakuwarigo in translation. In this thesis, the feasibility of translating yakuwarigo from Japanese to English using a foreignising translation strategy is examined. The research question is: “To what extent is it possible to translate yakuwarigo from Japanese to English with a foreignising translation strategy?”. The answer to this question is formed by two parts: a theoretical framework and a case study. In the theoretical framework, a number of different topics are discussed, such as translation strategies, equivalence, and stereotyping. In the case study, six characters of a manga (Japanese cartoon) are analysed in the original version as well as in a fan translation. Additionally, a new translation of is proposed based on the acquired information. It was found that despite the fact that it is impossible to translate yakuwarigo to English perfectly, it is possible to translate characters in such a way that their language reflects their main personality traits. This is done by adapting the font, punctuation and lexical choices, among others, to the character’s personality as a way of compensating for the original yakuwarigo.Show less
Swear words are present in all languages and cultures. Studies show that swear words are culturally specific, based on tabooization or demonization of language and events in certain cultures. In...Show moreSwear words are present in all languages and cultures. Studies show that swear words are culturally specific, based on tabooization or demonization of language and events in certain cultures. In the United States, slavery has been demonized, and certain swear words were used to obtain power over other people, namely slaves. This thesis aims to explore the offensiveness of the swear words used in movies about slavery in the United States and the Netherlands. The offensiveness of these swear words was rated using a survey in English for Americans and a Dutch translation of this survey for people from the Netherlands and Flanders. The results show that adjectives and the use of the singular or plural form can influence the offensiveness of swear words. However, context has the most significant influence. In the translation of swear words in the movies Django Unchained and 12 Years a Slave, the choice has often been made to translate the swear words consistently. The offensiveness rating shows that this might not always be the closest equivalent in terms of connotation.Show less
Since the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for...Show moreSince the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for the stylistic features of the source text, and these are therefore largely lost. For a text which relies heavily on stylistic features, such as poetry, this means that a word-for-word translation can actually be an impediment to a full appreciation of the text. Philology and its translation methods originated in the nineteenth century, but more recently, starting from around the 60s and 70s of the twentieth century, the field of translation studies has given rise to alternative ways of thinking about translation. Translation theory has concerned itself with such matters as how best to maintain stylistic features and which word choice might be the most appropriate given the text as a whole. Thus, it seems that there is an opportunity here for a productive cooperation between philology and translation studies. This thesis summarises translation theory which is relevant to the translation of Old English poetry, and directly demonstrates the relevance of translation theory to philology by putting it into practice in the translation of the Old English poem, Deor.Show less
This thesis explores whether ecological considerations are capable of influencing translation choices and thus form a valid area of special attention for translators in their translation practice....Show moreThis thesis explores whether ecological considerations are capable of influencing translation choices and thus form a valid area of special attention for translators in their translation practice. The existing scholarly literature that has investigated the relationship between translation and ecology has either defined ecology rather narrowly (Hu; Scott) or conceived of a translation ecology that remains theoretical and passive, in spite of the urgency and the severity of the ecological predicament that peoplekind finds itself in (Cronin). A practical and ethical approach to language ecology by Stibbe provides concrete methods to judge the ecological stance of texts by and identify linguistic features in texts which cluster to form ecological ‘stories’. The study identified occurrences of these linguistic features in the ecologically beneficial text Sightlines by Kathleen Jamie and explored ways in which they could be translated into Dutch, making use of Vinay and Darbelnet’s translation procedures to analyse the translation shifts. The analysis showed that ecological considerations may conflict with other features of the text that the translator may want to preserve in the translation, such as style, internal cohesion and grammatical correctness. Giving precedence to ecological considerations may thus produce a different target text than when leaving these considerations out of the translation process. The implication is that there is a way of doing ecotranslation and that preserving the ecologically beneficial world view of a source text is a valid purpose in translation.Show less
