Despite the fact that in our day and age in which downloading movies, streaming Netflix, and playing online games have become a mainstream source of entertainment for many, a vast audience still...Show moreDespite the fact that in our day and age in which downloading movies, streaming Netflix, and playing online games have become a mainstream source of entertainment for many, a vast audience still knows how to make their way to the theater. In addition to the grand Broadway showstoppers, there are a number of musicals that bring an additional set of features to the stage and provide the audience with an insight into the cultural, historical, political or societal background against which these stories are set. England-based Billy Elliot incorporates ‘songs in community centres, village halls, and pubs, [set] during the 1970s and early 1980s with the aim of exposing the inequalities of British Society from a Marxist perspective’ (Gordon, 2016, p. 426). Through the use of Venuti’s dichotomous notions of foreignization and domestication, this thesis attempted to find whether these cultural-historical musicals allow for translatability and what role his notions play in the process. Set within the framework of a target text-oriented DTS-based comparative analysis, the areas of culture, class, and dialect are examined which play a significant role in Billy Elliot and many other cultural-historical musicals. While other studies on foreignization and domestication have primarily found a preference for domestication (McKelvey, 2001; Xu & Tian, 2013; Yılmaz-Gümüş, 2012), this three-fold study rather found an overall compensating strategy in which culture and class received a more domesticating approach while the dialect was approached through foreignization – a compromise in order to chiefly retain the musical’s source culture and simultaneously educate and entertain the target culture’s audience.Show less
In this thesis, an in depth analysis of the terms mishandeling in Dutch law and assault in British and American law is drawn, to ascertain whether these terms could function as translations for...Show moreIn this thesis, an in depth analysis of the terms mishandeling in Dutch law and assault in British and American law is drawn, to ascertain whether these terms could function as translations for each other. The hypothesis is that these terms may be significantly different, and are therefore not suitable as translations for each other. Studies on equivalence and the componential analysis by Nida and the prototype analysis by Rosch serve as a theoretical framework for the comparison, as well as the legal context of the terminology. It may be concluded from the analysis that Dutch mishandeling and American assault may be used as translations for each other, but British assault is significantly different from these terms. Other translations are offered to solve this issue.Show less
The aim of this research is to gain insight in how futurity is expressed within English and Dutch legal contracts and to define the relation between modality and temporality. It is hypothesized...Show moreThe aim of this research is to gain insight in how futurity is expressed within English and Dutch legal contracts and to define the relation between modality and temporality. It is hypothesized that futurity is not unequivocally expressed in contract language. Also, it is expected that not only within futurity but also within modality a potential degree of ambiguity can be found considering expression of epistemic, dynamic, and deontic modality.Show less
