Despite SF’s general underrepresentation both in academia and the publishing world, there are scholars that have turned to this genre and studied it in relation to Lawrence Venuti’s concepts of...Show moreDespite SF’s general underrepresentation both in academia and the publishing world, there are scholars that have turned to this genre and studied it in relation to Lawrence Venuti’s concepts of foreignization and domestication, introduced in The Translator’s Invisibility (1995). Domestication has been considered “especially problematic due to its inventiveness of fictive worlds and the reliance of its estrangement function upon specific language” (Campbell, 2021, p. 6). One of the ways in which this inventiveness is expressed, is through neologisms, as Freedman (2000) explains, “this device being perhaps the most paradigmatic expression of science-fictional diction” (2000, p. 37). One of the scholars that has discussed neologisms in his work is Peter Newmark (1988), whom we will be discussing in this thesis. Newmark (1988) recognizes in his book, A Textbook of Translation, that translating neologisms is a challenging task, as he emphasizes that “neologisms are perhaps the non-literary and the professional translator’s biggest problem” (p.140). The aim of this thesis is thus to study neologisms within the SF genre in relation to Venuti’s concepts of domestication and foreignization. It will do so by conducting a case study on a SF text, namely Do Androids Dream of Electric Sheep? (DADOES) by American writer Philip K. Dick. In the case study, three Dutch translations of DADOES will be compared to each other and the source text: De Elektrische Nachtmerrie (1969) by Frank Visser, Dromen Androïden van Elektrische Schapen? (1979) by Ivain Rodriguez de León and Blade Runner: Dromen Androïden over Elektrische Schapen? (2017) by Irving Pardoen. The research will focus on chapter three and the neologisms in it. The 26 neologisms were classified using Newmark’s (1988) nine categories of translation procedures, with an additional 10th (proposed category) and 11th category to cover instances of omission. The central research question of this thesis then, is whether the translation choices made by the three translators point to a foreignization or domestication-oriented approach, and which of the three translations can be considered the most domesticated based on the findings. As for the hypothesis, it is speculated that the 1969 and 1979 translations of neologisms will reveal a more domestication-oriented approach, whereas the 2017 text is expected to be more foreignized. In writing this thesis and conducting the case study, I set out to give insight into the potential that SF texts hold for academia and the translation field. Campbell (2021) emphasizes how SF is a “powerful means of communication, not only because it can serve to explore and explain the effect of technological developments, whether native or important, but also and more importantly because it can be a powerful means of social criticism” (p.2.). In a world that is constantly evolving as technology advances at a rapid rate, the subjects discussed in SF are more relevant than ever. Therefore, by studying the “inventiveness” (Freedman, 2000, p.37) of the SF genre in the form of neologisms and in how they are translated, we could learn more about the dynamics and developments in our own world as we speculate about the reasons for these translation choices.Show less
Songs are often translated for musical films and stage musicals. In order to gain more insight into this type of translation, research is needed. While there has been some research, there is still...Show moreSongs are often translated for musical films and stage musicals. In order to gain more insight into this type of translation, research is needed. While there has been some research, there is still a lot to be done in the field of song translation. There are, for example, hardly any comparative studies on different translations of the same song into the same language for different singable purposes. This thesis therefore compares the Dutch translations of songs from Disney’s The Lion King in both the film and the musical version, in order to see if the differences between these translations can be caused by a different focus. This was done by determining the overall translation approach in all songs using Franzon’s (2008) five choices in translation. Additionally, both versions were analysed for the aspects of Low’s (2005) Pentathlon Principle. It was then determined on which aspect the translations focussed. For the film translation, the factors of dubbing, i.e. the visuals and lip synchrony, were taken into account as well. The results show that both the film and the musical translation generally adapt the lyrics to the music. However, the results also show that the film translation generally stayed closer to the ST with regard to sense, compared to the musical translation. This could sometimes be explained by the visuals or the need for lip synchrony. We also see that the musical translation makes more use of singable vowels in long notes than the film translation. Still, the results show that both versions mainly seemed to focus on the rhyme.Show less
There exists a significant amount of research on translation strategies regarding the subtitling of humour and wordplay. However, the translation of eggcorns, malapropisms, and other types of...Show moreThere exists a significant amount of research on translation strategies regarding the subtitling of humour and wordplay. However, the translation of eggcorns, malapropisms, and other types of linguistic blunders have been largely ignored. This thesis attempts to fill this research gap by investigating the translation strategies used for linguistic blunders, or ‘Rickyisms’, in the Dutch subtitles of the Netflix mockumentary Trailer Park Boys. The strategies omission, literal translation, and retention, which occur in taxonomies of existing research were identified. A high rate of omission (64.4%) indicates a significant loss of Rickyisms and humour for the following reasons: no suitable Dutch equivalent (21.5%), temporal/spatial restrictions (15.4%), and grammatical errors (33.8%). Additionally, an overlap between temporal/spatial restrictions and grammatical errors (13.8%) and some omissions which are unjustified (15.4%) were identified. A new two-phase model for the strategies where the Rickyism is retained has been developed. Phase one pertains to the translation of the phrase as if it were correct and phase two pertains to the translation of the error. This resulted in the categories Literal-Literal (58.3%), Literal-Substitution (13.9%), and Substitution-Substitution (27.8%). This first strategy seems to be the preferred one when the linguistic properties of the source and target language permit it. Substitution in phase two includes numerous different shifts in terms of type of error.Show less
This study uses the study by Valdez & Vandepitte (2020) as a framework to answer the research question: To what extent are the differences in attitude and expectation of translators and...Show moreThis study uses the study by Valdez & Vandepitte (2020) as a framework to answer the research question: To what extent are the differences in attitude and expectation of translators and reviewers on the Dutch translation market similar to the situation on the Portuguese biomedical translation market, as described in Valdez & Vandepitte (2020)? This is done by distributing a questionnaire to a group of translators and reviewers, who are active on the Dutch translation market with the language combination English and Dutch. Their answers reveal that the situation on the Dutch translation market is very similar to the situation on the Portuguese biomedical translation market: Translators and reviewers agree on the important aspects of translations (fluency and grammatical correctness) and on the degree to which reviewers should make changes to translations (only if actual mistakes are found, while ignoring personal preference). However, translators and reviewers on both the Dutch and Portuguese translation markets are somewhat unsatisfied with the work of their colleagues, because they appear to not follow the standards that they agree on. This dissatisfaction could be resolved by better communication between translators and reviewers, which is another point of dissatisfaction for translators and reviewers. The findings of this study support the recommendation made by Valdez & Vandepitte (2020) to focus more on communication during translator training.Show less
Catalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular...Show moreCatalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular place and time. The form and content of a catalogue can provide insights into the social norms and scholarly interests of the era in which it was created. Employing a longitudinal and comparative approach, this thesis examines the published catalogues of Leiden University Library’s Hebrew manuscripts collection throughout its four centuries of existence. I compare these catalogues, mark the differences in the ways they describe Hebrew manuscripts, and illuminate the social changes or emerging scholarly fields that likely influenced their creators. Throughout this thesis, I argue that when it comes to Hebrew manuscripts, any examination of historical cataloguing trends or choices cannot be complete without also considering that era’s societal attitudes toward Jews, the original creators of the language and texts contained in said manuscripts. I conclude that there exists a direct correlation between the quality of the catalogues’ manuscript descriptions and the cataloguer’s knowledge of the Hebrew language and of Jewish literature and culture; I extrapolate the implications of this conclusion for the future of manuscript cataloguing in the digital age.Show less
This thesis aims to find out whether or not the procedures mentioned in Byrne’s Scientific and Technical Translation Explained (2014) are applicable to animal names and scientific nomenclature. A...Show moreThis thesis aims to find out whether or not the procedures mentioned in Byrne’s Scientific and Technical Translation Explained (2014) are applicable to animal names and scientific nomenclature. A secondary goal is to create a list of Dutch names for animals in the Gekkonidae family, following the naming guidelines set by Linnaeus (1758) and the International Code for Zoological Nomenclature (1999). After translating the names for 58 genera and 609 species, it was found that the retaining procedure mentioned by Byrne was highly applicable to zoological nomenclature, and a list of animal names for all species in 21 genera in the Gekkonidae family has been made.Show less
This thesis aims to show how the differences in the way dialect is translated affects the characters in litarature. To do so, thee translations of The Adventures of Huckleberry Finn will be...Show moreThis thesis aims to show how the differences in the way dialect is translated affects the characters in litarature. To do so, thee translations of The Adventures of Huckleberry Finn will be compared to the English source text: translations by A.J. van Dragt (1885), E.M. Cameron (1946) and E. Dabekaussen (2019). These three translations show a shift in translation strategy over time; moving from standardizing the language to translating into stereotypes to honest effort in emulating the source text dialect in the target language.Show less
This piece of research looks at contemporary Chinese poetry through the lens of translation. The theoretical framework acting both as a premise and as the background for the whole project, which...Show moreThis piece of research looks at contemporary Chinese poetry through the lens of translation. The theoretical framework acting both as a premise and as the background for the whole project, which ties contemporary Chinese poetry and translation together, is the idea of world literature as defined by David Damrosch. By considering specific poems by Bei Dao and Yang Lian, this work aims at defining the crucial role of translation in determining the "trajectory" of texts within world literature.Show less
The purpose of this paper is to evaluate the quality of translations of legal texts produced by DeepL, a neural machine translation system. By consulting relevant laws and legal dictionaries, this...Show moreThe purpose of this paper is to evaluate the quality of translations of legal texts produced by DeepL, a neural machine translation system. By consulting relevant laws and legal dictionaries, this study finds that DeepL's Dutch to English translation of legal texts contains syntactic and terminological errors.Show less
Ranging from prose to poetry, many children’s books use features such as rhyme, rhythm and repetition in order to help children familiarise themselves with a new language and enlarge their...Show moreRanging from prose to poetry, many children’s books use features such as rhyme, rhythm and repetition in order to help children familiarise themselves with a new language and enlarge their linguistic toolbox. As children’s books are often to children it is important that these books and their translation meet a certain level of ‘performativity’ in order to be successfully read aloud. This thesis aims to examine whether Low’s point-scoring schema for the evaluation of rhyme (2008) and ‘pentathlon principle’ can be used as a quality assessment tool for the translation of children’s books into Dutch and if these models can be used to help improve the reading aloud of songs and poems in children’s books. By means of a Thinking Aloud Protocol and the awarding of points via Low’s point schema, the results showed that whilst the schema can definitely help translators when translating children’s song, there are still some key issues – such as repetition – that need to be addressed before Low’s models can be used as a quality assessment tool.Show less
The aim of this thesis is to problematize Amitav Acharya’s Global International Relations framework, demonstrate problems with IR’s reliance on the English language, as well as IR’s political...Show moreThe aim of this thesis is to problematize Amitav Acharya’s Global International Relations framework, demonstrate problems with IR’s reliance on the English language, as well as IR’s political economy, and show how these three factors may impede the development and incorporation of Global IR in modern IR overall. The first argument that this thesis presents is a problematization of the emphasis on English within IR, and it will do so over the first two chapters. The first chapter of the thesis tackles with the use of English in the contemporary international climate, where, as Bunce et al. and Kubota & Okuda demonstrate how English shapes and intervenes in international politics and developments. The second chapter, which will look at the state of the English language in IR theory, demonstrates that English is tied closely together with the legitimacy of IR as an academic discipline as well as in the imagining of globalisation, and how it has shaped the creation of the Us vs. Them dichotomy that encounters so much criticism within IR. The second argument, which will be approached in Chapter 3, will turn to the political economy of IR, and how this has helped in the creation of the homogenous academic field we work in today. By looking at the development of the university as an institution for research through Kamola’s argument, the presence of the publish or perish culture, and the problems that this, combined with the English-dominated Western IR, present for the globalising of IR - one of the mission statements of Global IR. This thesis will conclude by suggesting a potential alternative approach that Global IR can look into to tackle the issues that are presented throughout the thesis.Show less
The Dutch television programme Langs de Oevers van de Yangtze (“Alongside the Yangtze Shores”; 2016) was a great success in the Netherlands with a million viewers weekly and a nomination for two...Show moreThe Dutch television programme Langs de Oevers van de Yangtze (“Alongside the Yangtze Shores”; 2016) was a great success in the Netherlands with a million viewers weekly and a nomination for two Dutch television awards (Lips, 2018). The programme concerns Chinese modern lifestyle and it is spoken in both Dutch and Chinese, the latter being subtitled in Dutch. Since this programme has a focus on Chinese culture, it is relevant for the audience to have a full grasp of the meaning of the Extralinguistic Cultural References (ECRs). Preliminary academic research has shown a gap in the study of both written and subtitled translation of ECRs from Chinese into a Germanic language. The aim of this research is therefore to investigate which translation strategies were used for the translation of cultural references in the subtitles of Langs de Oevers van de Yangtze. All the ECRs in the program have been categorized based on the taxonomy of ECRs provided by Nedergaard-Larsen (1993) and the translation strategy for each ECR has been determined according to Pedersen’s taxonomy for ECRs in subtitles (2011). The results showed that for the categories geography, society and culture, most of the used translation strategies are source-oriented, whereas for the history category both source-oriented strategies and target-oriented strategies are used the same number of times. For the categories society and culture the most used strategy is direct translation. Direct translation is also the most used strategy in the category history along with the translation strategy generalization. For the category geography, the most used translation strategy is retention. In addition, the results showed that the subtitler also uses the Dutch commentary as a strategy in translating ECRs.Show less
Since the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for...Show moreSince the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for the stylistic features of the source text, and these are therefore largely lost. For a text which relies heavily on stylistic features, such as poetry, this means that a word-for-word translation can actually be an impediment to a full appreciation of the text. Philology and its translation methods originated in the nineteenth century, but more recently, starting from around the 60s and 70s of the twentieth century, the field of translation studies has given rise to alternative ways of thinking about translation. Translation theory has concerned itself with such matters as how best to maintain stylistic features and which word choice might be the most appropriate given the text as a whole. Thus, it seems that there is an opportunity here for a productive cooperation between philology and translation studies. This thesis summarises translation theory which is relevant to the translation of Old English poetry, and directly demonstrates the relevance of translation theory to philology by putting it into practice in the translation of the Old English poem, Deor.Show less
