The national celebration 400 jaar VOC marked the 400 year anniversary of the foundation of the Dutch United East India Company (VOC) in 2002. This thesis investigates how the meaning of the VOC...Show moreThe national celebration 400 jaar VOC marked the 400 year anniversary of the foundation of the Dutch United East India Company (VOC) in 2002. This thesis investigates how the meaning of the VOC is fixed through notions of past, present and future, as well as the continuity between these moments, in three exhibitions that took place in the context of the celebration: De Kleurrijke Wereld van de VOC (The Colourful World of the VOC) at the Scheepvaartmuseum (Maritime museum) in Amsterdam; Upstream, with specifically the work of artist Shilpa Gupta (Mumbai, b. 1976) in Amsterdam and Mumbai; and Dutch Masters from Indian Collections, an initiative of the Royal Netherlands Embassy, on view in Mumbai. I trace the positions of these exhibitions within the celebration, and, following Michel Foucault’s power-knowledge and Gloria Wekker’s application of Edward Said’s term of the cultural archive to the Dutch context, employ a discourse analysis. I argue that what is absent from the accounts of relations between past, present and future of the VOC in the three exhibitions, except for Gupta’s statements, is the idea that 400 jaar VOC also means 400 years of Dutch colonialism, which influence dominant meaning-making processes in Dutch society today. The recognition of colonialism as structure of thinking forming a relationship between past, present and future is equivalently lacking in statements criticizing postcolonial theory today in the Netherlands.Show less
The paper examines the discourse used by the VOC to describe the Shimabara Rebellion 1637-1638 (a rebellion with socio-economic reasons and strong Christian influences) and its own encounter with...Show moreThe paper examines the discourse used by the VOC to describe the Shimabara Rebellion 1637-1638 (a rebellion with socio-economic reasons and strong Christian influences) and its own encounter with Asian Christians during the Rebellion. The paper makes use of the Dagregisters of Hirado as primary sources to examine the changes in the used discourse. The paper shows that the changes in the discourse created a narrative that was best suited for the situation. The changes also show the difficulty the VOC had in positioning itself during the conflict. On the one hand, the Asian Christians were Catholic enemies, but on the other hand they were fellow Christians fighting non-Christians. The most distinct discourse change happened after the VOC offered its assistance in stopping the rebellion. After which the VOC completely removes the Christian element of the rebellion in their texts, while they had first focused on it.Show less
This thesis examined a largely unknown era (1680-1860) in the history of North Sulawesi. A revised model of the social history of the region has been proposed on the basis of the VOC ...Show moreThis thesis examined a largely unknown era (1680-1860) in the history of North Sulawesi. A revised model of the social history of the region has been proposed on the basis of the VOC 'visitatierapporten'. By focusing on how Christianity altered the social and political structures of the region (gender, social class, educational institutions, chiefly patronage networks), this thesis has demonstrated that it is possible to reconstruct the 'internal' history of North Sulawesi, in spite of a scarcity of local historical sources. Significant findings include 1) the social fluidity of 'class' in North Sulawesi societies, 2) the fact that Christianity was not limited to elite classes, as had hitherto been thought and 3) that (some) women transformed their former role as 'animist' religious specialists to roles of prominence within the Christian community.Show less
