The national celebration 400 jaar VOC marked the 400 year anniversary of the foundation of the Dutch United East India Company (VOC) in 2002. This thesis investigates how the meaning of the VOC...Show moreThe national celebration 400 jaar VOC marked the 400 year anniversary of the foundation of the Dutch United East India Company (VOC) in 2002. This thesis investigates how the meaning of the VOC is fixed through notions of past, present and future, as well as the continuity between these moments, in three exhibitions that took place in the context of the celebration: De Kleurrijke Wereld van de VOC (The Colourful World of the VOC) at the Scheepvaartmuseum (Maritime museum) in Amsterdam; Upstream, with specifically the work of artist Shilpa Gupta (Mumbai, b. 1976) in Amsterdam and Mumbai; and Dutch Masters from Indian Collections, an initiative of the Royal Netherlands Embassy, on view in Mumbai. I trace the positions of these exhibitions within the celebration, and, following Michel Foucault’s power-knowledge and Gloria Wekker’s application of Edward Said’s term of the cultural archive to the Dutch context, employ a discourse analysis. I argue that what is absent from the accounts of relations between past, present and future of the VOC in the three exhibitions, except for Gupta’s statements, is the idea that 400 jaar VOC also means 400 years of Dutch colonialism, which influence dominant meaning-making processes in Dutch society today. The recognition of colonialism as structure of thinking forming a relationship between past, present and future is equivalently lacking in statements criticizing postcolonial theory today in the Netherlands.Show less
