This thesis takes three works of prose fiction from the Victorian and Edwardian period that contain animal characters that interact with the human world. The fantastic narratives that will be...Show moreThis thesis takes three works of prose fiction from the Victorian and Edwardian period that contain animal characters that interact with the human world. The fantastic narratives that will be explored are: Lewis Carroll’s Alice’s Adventures in Wonderland (1865); Rudyard Kipling’s The Jungle Books (1894-5); and Kenneth Grahame’s The Wind in the Willows (1908). Furthermore, it argues that anthropomorphism and zoomorphism act as core elements in these narratives to describe the complex formation of identity in Victorian Britain and to provide an opportunity covertly to criticize issues in the Victorian social class system. Furthermore, the thesis analyses these magical worlds as places where children’s imagination can play with the animal-human divide.Show less
This thesis explores the impact of evolutionary theory on narrative form in Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking–Glass and What Alice Found There (1872)....Show moreThis thesis explores the impact of evolutionary theory on narrative form in Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking–Glass and What Alice Found There (1872). It argues that Lewis Carroll was inspired and influenced by Charles Darwin’s evolutionary theory in writing the Alice books.Show less
This thesis discusses Victorian gender roles in Charlotte Brontë’s Jane Eyre, George Eliot’s Middlemarch and Bram Stoker’s Dracula. The Victorian Era had strict ideas about gender roles, which can...Show moreThis thesis discusses Victorian gender roles in Charlotte Brontë’s Jane Eyre, George Eliot’s Middlemarch and Bram Stoker’s Dracula. The Victorian Era had strict ideas about gender roles, which can be seen in the literature from that time. Jane Eyre is the earliest novel that is discussed and it presents a complex view of masculinity and femininity. It might seem, at first glance, that the characters are mostly conforming to the gender roles, but it becomes clear that the lines between both genders are blurred. This is also the case in Middlemarch, where meddling wives and insecure husbands destroy their own marriages and happiness. This nuanced view of both male and female characters defies the rigid gender roles of the time. Dracula, on the other hand, is focussed on femininity rather than masculinity. Manliness is still important in the novel, but the main focus is on the transformation women undergo when they are turned into vampires. The perfect woman turns into an evil seductress when she is bitten by Dracula, and her misdeeds are harshly punished. This black and white view of femininity, or gender in general, is absent in the other novels.Show less
