Although Japan started participating in the commercial international art world during its so-called ‘bubble period’ between 1986 and 1991, very few Japanese artists currently enjoy international...Show moreAlthough Japan started participating in the commercial international art world during its so-called ‘bubble period’ between 1986 and 1991, very few Japanese artists currently enjoy international art market visibility. Furthermore, Japan’s own art market and market actors remain understudied. This study aims to provide insight in Japan’s position in the international art world, focusing on contemporary art galleries, important gatekeepers of the art market. Through quantitative data analysis of Tokyo’s contemporary art galleries, this thesis identifies two factors to measure art galleries’ globalization: their ‘home bias’, which is the degree in which galleries represent artists from the country it is based in; and its participation in international art fairs. Although data for both factors show a relatively high national focus, Japan’s galleries’ home bias is especially large. Furthermore, Japan’s own art market stays underdeveloped and does not sufficiently succeed in attracting international art crowds. These factors pose difficulties for international participation and obtaining international relevance. On a larger scale, this study of Japan functions as a case study for drawing conclusions on globalization of art markets in general, and the validity of the concept of a ‘global art world’.Show less
