Human-induced global warming drives climate extremes across the entire globe. Thus, people need to understand the consequences of already accumulated CO2, and why reaching the net-zero CO2...Show moreHuman-induced global warming drives climate extremes across the entire globe. Thus, people need to understand the consequences of already accumulated CO2, and why reaching the net-zero CO2 emissions has to be achieved as soon as possible. A communication tool that has power to spread the environmental awareness is data visualisation. The current research aims to find empirical evidence for the effects of three design guidelines (shade, annotations, animation) applied to carbon emissions scenario figures on following outcome measures: climate change risk perception, climate beliefs, climate policy support and real-world action. By testing different ways of visualising the carbon emission figures, we investigated how best to visualise data to convey the message concerning the urgency of taking a climate action due to cumulative impact of CO2. We expected people exposed to visualisations including the most cognitive cues (e.g. annotations) to score highest on the outcome measures. The final sample consisted of 314 non-climate scientists, who were randomly assigned to eight experimental groups and one control group. Our results did not show any effects of the chosen design techniques on any of the outcome measures. The main limitation of this study is a small and homogenous sample. We also concluded that there is some vagueness in the literature concerning how data visualisation design guidelines should be applied. Future research should focus on specifying the data visualisation guidelines and their application, as well as investigating user-cantered and transdisciplinary approaches to improve climate data communication to all types of audiences.Show less
Agricultural open-air museums date back to the late 19th century, as it became fashionable to collect examples of local folklife. They collected historic, relocated buildings, furnished them with...Show moreAgricultural open-air museums date back to the late 19th century, as it became fashionable to collect examples of local folklife. They collected historic, relocated buildings, furnished them with original objects, and often enlivened the museum and building with plants, animals, and costumed interpreters. Archaeological open-air museums(AOAMs) were born out of an interest in reconstructing the archaeological past. The first AOAMs were based on pile dwellings discovered in Swiss and German lakes in the late 19th century. AOAMs are popular cultural destinations, but both AOAMs and agricultural open-air museums have faced the critique of inauthenticity. This study discusses how a concern over ‘authenticity’ could prevent different questions about AOAMs from being asked. For example, how can AOAMs engage with the past in a way that is relevant in the present, and for the future? One way to do this is to participate in climate change communication. Current media messaging is often overwhelming, or it presents climate change as contentious. Museums can be important locations for communicating climate change awareness and action in ways that do not centre fear or helplessness. A survey of the literature around climate change communication in museums shows that AOAMs are uniquely placed within museum archaeology to address many aspects of climate change engagement, using various themes and strategies. As museum spaces, they are friendly places to learn about complex issues. As places of archaeological interpretation, they can demonstrate time depth and tell local, personal stories with an affective component. As outdoor spaces, they offer immersive experiences and can facilitate a sense of connection with nature. They can engage visitors with themes of sustainability, biodiversity, and ancient plants, animals, and crafts, and show how these relate to the present. Through museum interpreters and other visitors, as well as narratives and interpretation, they can foster a sense of connection to other people both in the present and in the past. Using the case studies preHistorisch Dorp Eindhoven, Archäologisches Freilichtmuseum Oerlinghausen, and Pfahlbauten Unteruhldingen, this study discusses to what extent the museums are engaging in these themes and strategies, using an analytical framework that pays close attention to the use of various components of the museum – setting, space and layout, display types, subject and text, activities and educational programmes. The research shows that each museum emphasizes different themes and strategies. PreHistorisch Dorp focuses on creating immersive experiences by creating independent activity areas and telling personal stories of life in the past with fictional characters. Archäologisches Freilichtmuseum Oerlinghausen offers many organised events, activities and programmes, which focus mainly on ancient crafts and the connection between people and their environment. Pfahlbauten Unteruhldingen has the Steinzeitparcours, a park/garden area dedicated to encouraging a connection to nature through learning about the uses for various trees in the past. This research shows that there is room for AOAMs in the broader discussion around archaeological museums and climate change, and that they can bring a unique element of direct connection to the visitor experience.Show less
