Since its emergence, heavy metal music met with serious opposition. Accused of promoting violence, suicide, drug abuse and distorted images of sex, heavy metal artists were considered a threat to...Show moreSince its emergence, heavy metal music met with serious opposition. Accused of promoting violence, suicide, drug abuse and distorted images of sex, heavy metal artists were considered a threat to the well-being of America’s youth. These accusations were major arguments in the 1980s religious conservatives’ crusade to establish family values. Trying to raise parents’ awareness of the music’s alleged catastrophic effects, these conservatives campaigned to restrain or eliminate heavy metal music. In 1985, the then newly-formed Parents Music Resource Center (PMRC) condemned several artists for advocating violence and substance abuse and for their predilection of the occult in their songs’ lyrics. PMRC created an agenda that was later used in court cases against heavy metal artists.Show less
This thesis re-views Jack Kerouac's "On The Road" through the cultural-anthropological lens of "liminality" in order to understand the novel's endurance as well as its contemporary reflection of a...Show moreThis thesis re-views Jack Kerouac's "On The Road" through the cultural-anthropological lens of "liminality" in order to understand the novel's endurance as well as its contemporary reflection of a generation in limbo. This thesis contends that the liminal characteristics and rituals studied by Arnold van Gennep and Victor Turner in small-scale African communities can be modernized and applied to such ritualistic phenomena as road travel in Kerouac's novel, which utilizes the anonymity of the American highway as a liminal space that allows freedom of self-definition. Such a reading returns "On the Road" to its contemporary socio-political landscape and makes it clear that the novel depicts not a subversive countercultural movement, but that it is actually part of a private ritual of passage that eschews the mainstream culture only on a temporary and minimal basis. By way of the liminal phase, the narrator appropriates characteristics of the socially and ethnically marginal while reproducing and reinforcing the values of the mainstream (white) culture against these marginal people.Show less
