As a dedication to the necessary move away from cultural essentialism, this research explores one of its prominent counter-concepts, cultural hybridity, by combining the following research...Show moreAs a dedication to the necessary move away from cultural essentialism, this research explores one of its prominent counter-concepts, cultural hybridity, by combining the following research questions; What is meant by the concept of cultural hybridity? How does this concept apply to Kengo Kuma's (隈研吾) (1954-) life and his architecture? Labeling Kuma’s architecture as a continuation of an essential Japanese timeline through claims about the embeddedness of a ‘Japaneseness’, despite the relatively recent invention hereof after the Meiji revolution, could be legitimizing stereotyping of the past, and is questionable. When applying the concept of cultural hybridity one can acknowledge that the formation of Kuma’s architecture is influenced by numerous intercultural flows. It has been informed by practices and philosophies from in- and outside the Japanese island region, and is underlied by an entanglement of sub- and trans-national—as well as personal—influences.Show less
