Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis examines Strabo’s conception of the relationship between Greek and Roman culture in his description of Magna Graecia, as outlined in chapter 5.4 and book 6 of his Geography. Sub...Show moreThis thesis examines Strabo’s conception of the relationship between Greek and Roman culture in his description of Magna Graecia, as outlined in chapter 5.4 and book 6 of his Geography. Sub-questions that receive attention include: What is Strabo’s attitude towards Roman rule? To what extent does Strabo view one of the two cultures as superior or the foundation of the other culture in the region? How does he characterize the interaction between the cultures? In what ways does he convey these views?Show less
Research master thesis | Classics and Ancient Civilizations (research) (MA)
open access
2024-06-30T00:00:00Z
The Roman Empire of the first and second centuries AD was a multinational society that was characterized by migration and mobility. In this multicultural society, people of many different ethnical...Show moreThe Roman Empire of the first and second centuries AD was a multinational society that was characterized by migration and mobility. In this multicultural society, people of many different ethnical and cultural backgrounds had to find a way to live together and deal with cultural differences. One of these people was the satirist Lucian of Samosata (ca. AD 125-180). Although this Hellenized author lived in and travelled through the Roman Empire, he was Syrian by birth and had enjoyed Greek education. Therefore, he could be considered a migrant author who moved in-between multiple identities. Lucian’s status as a foreigner and migrant appears to have influenced his writings. He frequently stages foreigners who try to find the best way to relate themselves to other cultures and deal with the negative sentiments of host cultures. In this thesis, I argue that Lucian in his works provides different perspectives on such challenges of travelling and migration. Approaching Lucian’s 'Assembly of the Gods', 'On Hired Companions', 'Scythian', and 'Anacharsis' as migrant literature, I use the acculturation theory of Berry (1992; 1997) to analyse how Lucian in these works reflects on cultural interaction in the Roman Empire of his own time. In the first chapter, I argue that Lucian’s 'Assembly of the Gods' can be read as a parody of Roman criticism of (Greek) foreigners, and I discuss how Lucian uses this parody to plea for cultural tolerance and prevent cultural segregation. In the second chapter, I argue that Lucian in his 'On Hired Companions' uses two different perspectives on the interaction between Greeks and Romans to advocate for cultural separation and to discourage Greek attempts to integrate into Roman households. In the last chapter, I argue that Lucian in his 'Scythian' and 'Anacharsis' provides three different examples of acculturation and presents his own autonomous integration as the most desirable acculturation strategy. In this chapter, I also explain how Lucian’s various perspectives on integration and separation can be reconciled, arguing that the four works together guide both foreigners and host cultures in the creation of a culturally tolerant society.Show less