This research paper analyses Katja Kwastek’s aesthetic theory that can be used to analyse interactive, digital artworks within both the physical and digital space. The theory is built on four...Show moreThis research paper analyses Katja Kwastek’s aesthetic theory that can be used to analyse interactive, digital artworks within both the physical and digital space. The theory is built on four actors: the artist, the assistant, the recipient and the technical system, as well as spatial and temporal parameters. The actors and parameters together form a set of tools that can be used to study interaction in digital art. This research paper will expand this theory, as display does not play a determining role within the theory. The expanded theory will be applied to two case-studies: the Companion (EXPANDED) (2020) and Companion (EXPANDED) (2022) that were included in the KAWS: New Fiction exhibitions. One of these exhibitions took place in the physical Serpentine North Gallery, London, the other is still accessible in videogame Fortnite. The application of the theory will provide insight on the role display plays within the analysis of interactive art within the physical and digital space.Show less
Picasso’s work Guernica is one the most well known paintings of the twentieth century and probably the most influential icon of Spanish art history. As soon as Guernica commenced its public life,...Show morePicasso’s work Guernica is one the most well known paintings of the twentieth century and probably the most influential icon of Spanish art history. As soon as Guernica commenced its public life, being presented in the Spanish Pavilion at the Paris World Fair in 1937, its progression in meaning of the artwork began. In this thesis I intend to explore how, through different exhibitions and collections from museums and galleries in which it was displayed, Guernica was able to shape, in one or another way, its history as one of the world’s icons of universal modern art. How did the exhibitions in which Guernica took part helped to shape its political meaning? Moreover, I would like to explore how artworks can be shaped by their surroundings. Accordingly, I endeavour to examine how the display of Guernica in different surroundings has shaped its meaning since its presentation at Paris World Fair in 1937, with attention being placed on the entire context of each exhibition. Central to this thesis is Guernica’s legacy: the meaning which it had in past exhibitions, its meaning in the present and its meaning for contemporary artists. selecting Goshka Macuga’s The Nature of the Beast (2009) as a case study. Show less
