This thesis investigates the visual promotion of government-constructed female identities and addresses the question of how the North Korean government visually constructs the ideal female citizen....Show moreThis thesis investigates the visual promotion of government-constructed female identities and addresses the question of how the North Korean government visually constructs the ideal female citizen. It does so to uncover the underlying narratives that the North Korean state seeks to promote about womanhood, national identity, and allegiance to the regime. It conducts extensive literature research on the current field of study to generate theories and variables to test. Using a mixed methods approach, it examines 130 North Korean propaganda posters and 272 depicted characters between 2000-2010. This study finds that the posters greatly emphasise a dichotomy between male and female duties and characteristics. The North Korean regime employs diverse strategies in symbolism and composition that equate most female identities to docile and demure and put them in charge of delegating traditional culture. It can be interpreted that the regime seeks to visualise nationalised womanhood that connects the citizens through tradition, culture, and community.Show less
This thesis looks at the development of new female identities in Taishō Japan (1912-1926) through the lens of kimono, answering the following research question: How was kimono modernised in the...Show moreThis thesis looks at the development of new female identities in Taishō Japan (1912-1926) through the lens of kimono, answering the following research question: How was kimono modernised in the Taishō period and how does this factor into the formulation of new female identities? The short economic burst that followed World War I resulted in a new middle class that had more money to spend on things like homeware and clothing. Developments in the textile industry and the abolishment of sumptuary laws in the Meiji period (1868-1912) provided people with the opportunity to purchase more affordable kimono, in styles that suited their own tastes. Department stores became popular, offering people a new, noncommittal way of shopping. Mass-media emerged and disseminated advertisements and articles featuring the icon of the moga, the 'modern girl'. This icon, often dressed in western clothing, working the white-collar jobs newly available to women, offered women an ideal to strive after that went against the ideal of the 'good wife, wise mother', which had been promoted since the Meiji period. However, the moga gained a superficial, hedonistic, even promiscuous reputation, and the Meiji ideals of womanhood remained influential. Most women continued to wear kiono, which allowed them to express their modern tastes through hair, accessories and kimonopatterns if so desired, while still complying with the Meiji ideal of the woman as preserver of tradition.Show less
