In recent years, the Western world has experienced a heightened interest in addressing troublesome heritage, especially with the rise of global anti-racism movements. In relation to the public...Show moreIn recent years, the Western world has experienced a heightened interest in addressing troublesome heritage, especially with the rise of global anti-racism movements. In relation to the public space it means that monuments that are connected to racial oppression often have become the target of iconoclastic acts of activists. An example of such a contested monument is the statue of James Marion Sims. Instead of attacking the actual statue, which is usually done in iconoclastic acts, artist Doreen Garner responded to the controversies surrounding Sims by harming a replica of his statue in her performance Purge (2017). This research paper investigates how the usage of this replica problematizes the existing definitions of iconoclasm and to what extent it can shed a different light on iconoclastic practices. To answer this question, anthropological theories on voodoo will be used, as the creation of a representation with the purpose of harming it, reminds of voodoo practices. By investigating the concept of iconoclasm in relation to voodoo, this research reveals the significant overlap between voodoo and iconoclasm, as both concepts function on the basis that a representation is targeted for its similarities with the referent.Show less
This research is about the local significance of the Pacification of Ghent in Utrecht between 1576 and 1581. It argues that the Pacification was the crucial treaty for the participation of the...Show moreThis research is about the local significance of the Pacification of Ghent in Utrecht between 1576 and 1581. It argues that the Pacification was the crucial treaty for the participation of the States and city of Utrecht in the Dutch Revolt because of its lack of coherency and clarity. This thesis explores the competing narratives about the meaning of this peace. The analysis focusses on the interests of different groups in city and the reinterpretations of the peace terms in the Pacification within the rapidly developing circumstances of the Dutch Revolt. The main argument is that the act of oblivion in the Pacification was the tacit driving force behind the competition of narratives about legitimacy. The Pacification successfully offered a tabula rasa for the previous decade and became the most important reference for peace negotiation between 1576 and 1581. The “originalist” narrative tried to stay with the Pacification terms as intended when it was signed in 1576; the “clarifying” narrative argued that the cherry-picked peace violations of the royal party – together with the changed circumstances – necessitated an elaboration of the original peace treaty; the “abnegation” narrative used these cherry-picked peace violations of the royal party to highlight the obsolesce of the treaty and framed the treaty’s failure as a reason to abjure king Philip. This last narrative flipped the Pacification on its head; the new continuity with the present was not based on the treaty’s terms but on its violation and frame of belonging to the past.Show less
Destroy My Face (2020) by Erik Kessels was part of BredaPhoto festival in 2020 but the artwork was removed after a week of display. Online criticism had risen on multiple social media platforms...Show moreDestroy My Face (2020) by Erik Kessels was part of BredaPhoto festival in 2020 but the artwork was removed after a week of display. Online criticism had risen on multiple social media platforms stating that the work incited violence towards women. The activist group ‘We Are Not a Playground’ also published an open letter demanding that the work be taken down. These events were framed as an example of ‘cancel culture’: an online phenomenon where people are publicly shamed and silenced for crossing societal norms. In this thesis I investigate the events surrounding Destroy My Face in relation to destruction, censorship and ‘cancel culture.’ I argue that ‘cancel culture’ can function as a tool for resistance to the dominant narratives in society, especially for marginalized groups. However, it can fall into the trap of creating a mere spectacle to be consumed by the public instead of raising critiques.Show less
The purpose of this research is to describe how iconoclasm is taking shape in contemporary Italy, by analyzing and comparing the “Mussolini Dux” obelisk in Rome with the statue of Indro Montanelli...Show moreThe purpose of this research is to describe how iconoclasm is taking shape in contemporary Italy, by analyzing and comparing the “Mussolini Dux” obelisk in Rome with the statue of Indro Montanelli in Milan: while the former resisted any form of iconoclasm from the post-war period until the present day, the latter has been recently subject to several iconoclastic acts. The different ways in which the public engages with these two monuments reveal that iconoclasm in Italy is driven by international influence, that is nevertheless resisted when it comes to challenging strong national ideologies like fascism. By adopting an interdisciplinary approach, this research suggests that iconoclasm is not opposite bur rather complementary to collective memory, as it recognizes the importance of remembering rather than forgetting. Iconoclasm is the phenomenon that make us remember that memory must be kept alive by demanding new interpretations of the past. However, this research also shows that this is not the way collective memory and iconoclasm are understood in Italy today.Show less
Master thesis | Classics and Ancient Civilizations (MA)
open access
The authenticity of the iconoclastic post-scriptum to Epiphanius of Salamis' Epistula ad Joannem has been hotly debated since the 8th century. This essay re-evaluates the arguments for and against...Show moreThe authenticity of the iconoclastic post-scriptum to Epiphanius of Salamis' Epistula ad Joannem has been hotly debated since the 8th century. This essay re-evaluates the arguments for and against the authenticity, and concludes that the post-scriptum is genuine.Show less
This thesis is a study of three different statue cache deposits which were discovered at different locations in North Sudan. The three groups of statues represented colossal royal figures...Show moreThis thesis is a study of three different statue cache deposits which were discovered at different locations in North Sudan. The three groups of statues represented colossal royal figures representing kings of Nubia, and some who also ruled over Egypt as Pharaohs of the 25th Dynasty. The caches were discovered during archaeological investigations at three cult sites which were dedicated to the Nubian-Egyptian god Amun, within the main temples, at Gebel Barkal, Doukki Gel and Dangeil. The deposits are somewhat mysterious and unique as each royal statue was found fragmented into many pieces, all broken in the same way and in the same locations upon the statue, before being buried beneath the ground in a sacred place. The study explores the meaning and motivation behind image breaking and deposition in an attempt to postulate the circumstances of these burials. It will use comparisons from Egypt and the Near East to look for any parallels for such treatment of royal images, and examine the historical context of the estimated time of deposition in order to build up some form of narrative as to how and more importantly, why, these royal statues were treated in such a way. This thesis will scrutinize the popular theories which were previously proposed and return to the archaeological evidence in order to address the issue and attempt to come up with a hypothesis concerning the nature of the cachesShow less
