In this thesis I question the role of photographs in relation to Dutch national identity, regarding traditional costumes specifically. I set forth how sentiments of Dutch (national) identity can be...Show moreIn this thesis I question the role of photographs in relation to Dutch national identity, regarding traditional costumes specifically. I set forth how sentiments of Dutch (national) identity can be expressed, questioned, challenged or reinforced through photography. In doing so, I lay bare contrasts between national and local cultural expressions, between othering and elevating people, between feelings of distance and unification, between past and present. The case studies on which I build this research concern two photo series of inhabitants of Marken – a former Dutch island, now a peninsula – photographed by Cas Oorthuys and Jimmy Nelson. In this research the focal point is the argument that a Dutch national identity is reinforced through their photographs of people in Marken traditional costumes. This reinforcement is achieved through constructing identities and by invoking symbolic and indexical relations of nostalgia, idealization, pride, ‘Dutchness’ and heritage.Show less
Research master thesis | Middle Eastern Studies (research) (MA)
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The thesis is based within the theories of constructivism and looks for the connection between the identity construction and the foreign policy decision-making process. The research question posed...Show moreThe thesis is based within the theories of constructivism and looks for the connection between the identity construction and the foreign policy decision-making process. The research question posed is: why is Hezbollah stepping in the Syrian civil war? What is the relation between this decision and the group’s identity that has been continuously constructed and re-constructed in the past 30 years? Moreover, is the relationship between the decision to go to war and Hezbollah identity construction linear? Can the conflict in Syria affect, or even re-shape the construction of Hezbollah’s identity? How does this comply (or disconnect) with Hezbollah’s own ideas about self and role in the serves in the region? The paper analyses the relation between the identity construction and the decision to go to the Syrian war, and based on this example draws a conclusion that the relationship between the two is rather reciprocal than linear.Show less
It this thesis I intend to unveil the constructed nature of the Austrian post-war identity narratives and the consequences they continue to have today. I will investigate how, after the Second...Show moreIt this thesis I intend to unveil the constructed nature of the Austrian post-war identity narratives and the consequences they continue to have today. I will investigate how, after the Second World War, the conferment of the political neutrality status enabled Austria to reinvent its national identity and withdraw from war guilt. The constructed narratives consist of elements from the history of its imperial and pre-war cultural past. These continue to prevail and despite the emergence of a counter-narrative.Show less
This paper will deal with two Japanese television shows, and will go on to argue that foreigner casts contribute to the ongoing construction of Japanese national identity. Thus, foreigner casts do...Show moreThis paper will deal with two Japanese television shows, and will go on to argue that foreigner casts contribute to the ongoing construction of Japanese national identity. Thus, foreigner casts do not only reinforce a particular type of nationalism to the audiences, but instead are assigned specific tasks and roles, in which they fulfill in order to contribute to the construction of Japanese national identity. This paper is mainly divided in six parts.Show less
This paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo...Show moreThis paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo held in Shanghai in 2010. This project investigates how iconic images from the Shanghai Expo 2010 (slogan, opening ceremony, logo, and venues’ architecture) form a visual narrative in which Chinese history and identity are configured to meet the political goals of the Central Communist Party. This paper contends that, during the staging of Shanghai World Expo 2010, the Chinese ruling elite propagated official image in a continuous effort to reproduce the beliefs of the population in the Communist Party’s leadership qualities. This paper suggests that the attempts of the Chinese government to strengthen its legitimacy can be connected to the process of national identity creation.Show less
