Research master thesis | Archaeology (research) (MA/MSc)
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The Corded Ware culture (c. 2900-2450 BCE; CWC) was a prehistoric phenomenon encountered throughout Europe, characterized by standardized material culture and burial practices. Recent studies...Show moreThe Corded Ware culture (c. 2900-2450 BCE; CWC) was a prehistoric phenomenon encountered throughout Europe, characterized by standardized material culture and burial practices. Recent studies incorporating new scientific methods such as ancient DNA and stable isotopes suggest that this phenomenon was the result of mass migrations from the Pontic Caspian steppe, thus confirming traditional hypotheses regarding the origin and fast spread of this archaeological culture. Moreover, the grand narrative of this period includes a notion of a strict binary gender symbolism and even of a ‘male-dominant’, patriarchal society. Such an interpretation of CW gender is however largely rooted in andro- and ethnocentric, Western assumptions, in which biological sex is equated with gender, and weapons (i.e. the CW ‘battle-axe’) are associated with masculinity. This thesis aims to investigate to which extent the CWC indeed had a notion of binary gender, and to better understand how CW gender was expressed through material culture and its selective deposition in different contexts. A practical methodology with a comparative and multi-contextual approach is developed in order to study CW gender. Two case studies have been selected: the Danish administrative region of Southern Jutland, known for its very typical Single Grave practices, and the state of Bavaria in Germany, which is expected to be a focal point in the mobility of people and the exchange of raw materials. The emphasis is placed on the co-occurrences between different object categories and their ‘embodiment’, and different depositional contexts: the funerary context as well as depositions (i.e. buried objects without a body) and single finds. Strikingly, CW gender appears to have been constructed through an interplay of supra-regional and local burial styles and artefacts. The binary dichotomy seen in the funerary context is more likely the result of normative ideas regarding a supra-regional CW identity and – more idiosyncratic – local identities, although gender clearly played a role in these norms. The prehistoric reality of CW gender may thus have been more locally variable than the grand narrative would suggest.Show less
For this thesis, a dataset consisting of Etruscan helmet and cuirass types as well as their depiction on other sources has been analyzed to determine whether the Etruscan panoply functioned as an...Show moreFor this thesis, a dataset consisting of Etruscan helmet and cuirass types as well as their depiction on other sources has been analyzed to determine whether the Etruscan panoply functioned as an expression of identity. This has been done by analyzing changes that occur in the Etruscan panoply over time in relation to historical events as well. In addition an attempt is made to examine differences in the panoply between regions within Etruria. Through these attempts, the following conclusions have been drawn. There is a correlation between major historical events and changes that occur in the Etruscan panoply. There is also a correlation between the changing depictions of Etruscan warriors and the expression of identity, although this cannot be strongly attested to until the last three centuries when Rome asserts dominance over Etruria. We can infer that during this last period, the Etruscan elite made a conscious attempt to present themselves (part) Roman, as opposed to the Hellenistic panoply depicted in prior centuries.Show less
Research master thesis | Archaeology (research) (MA/MSc)
closed access
This paper examines the use of the medium of sculpture in the public sphere in Roman East Midlands including sculpture in the round, reliefs, architectural decoration, tombstones and inscriptions....Show moreThis paper examines the use of the medium of sculpture in the public sphere in Roman East Midlands including sculpture in the round, reliefs, architectural decoration, tombstones and inscriptions. The aim of the research is to analyse the social aspects of the public display of the sculptural medium in order to understand what role sculpture had within the society and the reasons behind choices such as subject matter, form and style. All of the sculptures and inscriptions from the chosen study area between and including Lincoln, Leicester and Water Newton are examined in detail and discussed within the context of their find location. The visual effect of sculpture is examined in terms of location in the landscape, the composition of the image and the visual impact of style. The question of identity is also discussed in terms of the commissioning and use of sculpture and the choice of style. In order to gain a better understanding on the fragmented nature and poor survival of sculptures in the area, their fate in terms of re-use and the scale of possible loss is also examined. Although the poor survival of Romano-British sculpture in the East Midlands makes them a difficult area of study, the aim of this paper is to examine different ways of viewing the material in order to gain more insight into the society who acquired and used such sculptural displays.Show less
