In this interdisciplinary thesis, I use history and anthropology to research the influence of migration history on the identity construct of Hindostani people in the Netherlands. The work is...Show moreIn this interdisciplinary thesis, I use history and anthropology to research the influence of migration history on the identity construct of Hindostani people in the Netherlands. The work is anthropological because I created data by interviewing 23 participants about their lives and experiences, and historical because I used a framework of scholars who have researched the complex fields of identity, colonialism, migration, and transnational history or have specifically researched Hindostani people and their history. Combining these datasets, I present a case study that goes in depth to find out what the influence of colonial migration is on Hindostani people in a ‘postcolonial’ society such as the Netherlands. The conclusion is a careful but meaningful one, as it offers insights into both the people I interviewed and the society in which they live. This study shows that identity is so complex and personal that migration history has divergent meaning and effect on the lives of individual Hindostanis, so that even pointers such as age and gender cannot indicate the importance of that history to a Hindostani person. The only exception to this was religion, as religious participants ascribed more meaning to their migration history. Their history played a large part in the constructing of their identity and in the raising of their children. Lastly, I argue that both interdisciplinary and microhistory, even though small-scale, are key to historical research, especially of colonial history, by creating data and writing with the people who are the embodiment of that history.Show less
In 2015 former president Reuven Rivlin claimed that Israel needs a redefinition of Israeliness to preserve the Israeli society. According to him, a new national identity must be created, with which...Show moreIn 2015 former president Reuven Rivlin claimed that Israel needs a redefinition of Israeliness to preserve the Israeli society. According to him, a new national identity must be created, with which all citizens can identify. When looking at the Israeli educational system, it becomes apparent that such a redefinition is necessary. As multiple studies have shown, the Arab- Palestinian community in Israel is not only marginalized in terms of the quality of the educational system, but also with regards to the contents of the education, mainly -but not limited to- in the field of history education, which amongst others ignore Palestinian perspectives on the ongoing Arab-Israeli conflict and which deny Palestinian belonging to the country. As this thesis shows, bilingual schools in Israel offer a radical alternative historical narrative that includes Palestinian perspectives, that treats Jewish and Palestinian identities on an equal basis and that at the same time creates an overarching narrative (or if you wish Israeliness) which connects both communities. At the same time however, this thesis argues that the success of the alternative historical narrative at bilingual schools is limited due to the same inequalities the education tries to counter, namely the lack of classes on Palestinian/Middle Eastern history, the continuing dominance of Jewish-Israeli frameworks for teaching history and the dominance of the Hebrew language. Nonetheless, although progress can still be made, the alternative approach to education of bilingual schools provide an inspirational basis for redefining Jewish-Palestinian relationships in the future.Show less
This thesis provides an analysis on the J-horror film Kairo (Kurosawa Kiyoshi, 2001) and Studio Ghibli's Pom Poko (Takahata Isao, 1994) and their connection to the concept of furusato. Furusato, a...Show moreThis thesis provides an analysis on the J-horror film Kairo (Kurosawa Kiyoshi, 2001) and Studio Ghibli's Pom Poko (Takahata Isao, 1994) and their connection to the concept of furusato. Furusato, a nostalgic longing for the countryside as metaphorical "old home", is expressed very differently in these films: while Pom Poko heavily emphasises this nostalgia, furusato is implicitly present in Kairo through its absence.Show less
How did the distinct cultural, ethnic, and linguistic groups, who originated from valleys separated by natural barriers, and their cultural traditions, become one 'homogenous' constitutional monarchy?
This thesis critically approaches the notion of nostalgia as a site for negotiating the way communities in Ladakh reproduce the past in the present. Multiple nostalgias are explored and the various...Show moreThis thesis critically approaches the notion of nostalgia as a site for negotiating the way communities in Ladakh reproduce the past in the present. Multiple nostalgias are explored and the various nostalgic postures are unpacked as they encounter and engage with modernity. The aim is to understand through ethnographic analysis, the temporalities within which nostalgia occurs and the interplay between nostalgia and cultural practices that provide a site to study how the past is maintained in the present.Show less
