Anthropogenic environmental destruction on a global scale continues at an ever-increasing pace, driven by a disconnect between the valuation of short-term economic gains and their ecological impact...Show moreAnthropogenic environmental destruction on a global scale continues at an ever-increasing pace, driven by a disconnect between the valuation of short-term economic gains and their ecological impact. Increasingly, the introduction of indigenous intellectual perspectives to the global stage – many of whom have been custodians of ecologically important land for centuries – is being treated as a potential solution to this conundrum. In this evolving context, this thesis seeks to understand the role of African indigenous knowledge in global environmental protection. To answer this, a review of the practical and philosophical contributions of African indigenous communities to ecology is conducted, followed by a discourse analysis of the 2019 Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services Global Assessment Report on Biodiversity and Ecosystem Services, to identify how these knowledges are treated in a global context. Analysis of the report and of academic literature shows that African indigenous knowledges, while potentially incredibly valuable as environmental protection, are poorly represented on a global level, both in their content, and in comparison with other regions.Show less
Research master thesis | Arts and Culture (research) (MA)
open access
The societal role of museums has changed and is still constantly changing, the Museo de América in Madrid, Spain, is no exception. This research aims to capture the evolving role of museums by...Show moreThe societal role of museums has changed and is still constantly changing, the Museo de América in Madrid, Spain, is no exception. This research aims to capture the evolving role of museums by taking on the Museo de América as a case study. The Museo de América was chosen due to the limited international scholarly literature on the relationship museums in Spain, a once powerful and important colonial power, have with contemporary museological discourse. The research question is therefore, to what extent is the Museo de América able to create ‘contact zones’ and capture the changing narrative about indigenous communities in the Americas. This thesis uses Anthony Shelton’s methodology underlying critical museology as a set of tools as well as James Clifford’s concept of ‘museums as contact zones’. This research provides a better understanding of how an ethnographic museum in Spain addresses the colonial and authoritative practices in which museums were built on. The analysis of the Museo shows that some of the Museo’s underlying curatorial practices are consistent with Shelton’s methodological interdictions. However it also identifies a few limitations to the Museo’s capacity to navigate the challenges of bridging historical and cultural gaps across centuries. The most significant being the lack of an indigenous voice regarding the conquest itself. By including indigenous voices and presenting them as active participants, museums can play a critical role in providing visitors with the tools to better understand the evolution of modern society’s values.Show less
