A negative and controversial stigma shrouds the notion of tattoos globally. As of recently, societies globally have increasingly become more tolerant of the exposure of tattoos in public and in...Show moreA negative and controversial stigma shrouds the notion of tattoos globally. As of recently, societies globally have increasingly become more tolerant of the exposure of tattoos in public and in particular, professional environments or workplaces. This increased tolerance can predominantly be found in Western society. Often times, this increased tolerance is perceived to be applicable globally, credited largely to Western-dominated mainstream media. However, the negative stigma associated with tattoos persists in many East Asian societies and is largely regarded as taboo. These notions of taboo are largely attributed to associations with gangs, violence and criminal activities represented through different mediums like movies, newspapers, and word of mouth (see Figure 2). Despite this, East Asian societies like that of Japan's, still possess dedicated tattoo artist that practice tattooing, whether this is in "Japanese-style" tattooing or numerous other styles. The idea of Japanese tattoos is a largely sought-after style of tattooing not only within Japan but also in numerous Western societies, such as the United States (US) and the United Kingdom (UK). It would not be in the wrong to presume that in fact, Japanese-style tattoos are in greater demand outside of Japan than within and are seen in less-controversial limelight than that of Japan, which leads us to a possible inquiry and the investigation of this thesis, how can there be such a difference of perspective of tattoos between Japan and Western nations like the US and UK in Japan-style tattoos? I use aspects of Edward Said's notion of Orientalism (1978) and Primitivism as the theoretical framework into three distinct periods: Meiji era (1868-1912) and the Contemporary era (1945-2020), and implement Richard Rogers' theory of cultural appropriation (2006) as a methodology to dissect ukiyo-e art, diaries from royal "western" figures, interviews and documentaries that depict experiences with Japanese tattooing practices. In the postwar era (1945-) Japan underwent tremendous political, cultural, and economic change under the Allied powers as a result of World War II. It is for this reason that the contemporary era is framed from 1945-2020 to portray the approach Japan took when it came to Japanese-style tattoos. As well as how Western society, in particular the United States, exported Japanese-style tattoos to audiences globally, due to American tattoo artists coming in contact with Japanese tattoo artists first. The overall aim of the investigation will shed light on how the previous mediums have historically engaged with cultural appropriation and orientalism in Japan, to create what we know of today as Japanese-style tattoos.Show less
