In this thesis, I will explain how the tanuki can be seen as an example of a mythological “trickster” (a paradoxical figure who combines god-like powers with a chaotic nature and a love for...Show moreIn this thesis, I will explain how the tanuki can be seen as an example of a mythological “trickster” (a paradoxical figure who combines god-like powers with a chaotic nature and a love for deceiving and general trickery) and how these trickster tendencies function within different forms of Japanese popular imagination such as art and literature. In my research, I have identified three primary functions. First, the trickster’s shape-shifting tendencies and powers of illusion contribute to a sense of “uncannyness” and tie the tanuki to the mysterious and unknown. As such, “unexplainable” natural phenomena were often attributed to acts of this supernatural being. Secondly, the foolishness of the trickster figure makes it an excellent character for comedic and/or satirical works. The tanuki is no exception to this, as seen in folktales and Edo-era artwork. Lastly, the duality behind the trickster also makes him the perfect mediator between two polar opposites. The tanuki in particular has often been used to signify clashes between urban society and the countryside, as seen for example in the Studio Ghibli film Pompoko.Show less
Climate change is the most pressing problem of our time and the transition towards a renewables-based economy is the only long-term solution. It is well established that offshore wind holds great...Show moreClimate change is the most pressing problem of our time and the transition towards a renewables-based economy is the only long-term solution. It is well established that offshore wind holds great promise in terms of providing energy capacity for East Asian nations that rely on the imports of fossil fuels. This study provides a comparative analysis of three East Asian nations to find what policies affect the successful deployment of offshore wind capacity. Several hypotheses, formed around influencing factors such as energy market liberalization, financial and quantitative incentive policies and siting procedures are formed and tested against offshore wind deployment data. The Most Similar Systems Designs method is employed to isolate the factors under examination and control for social, cultural, political, environmental and economic factors. The results provide insight into the effectiveness of policies across and within nations and reasons for the differences between nations.Show less
In Japan since the 1980s, after the end of the Cold War and the collapse of the bubble economy, the Liberal Democratic Party (LDP) implemented a series of neoliberal policies in order to increase...Show moreIn Japan since the 1980s, after the end of the Cold War and the collapse of the bubble economy, the Liberal Democratic Party (LDP) implemented a series of neoliberal policies in order to increase the flexibility of the Japanese labour market and make the labour market more competitive at global level. Due to neoliberalism and deregulation, it became more complicated for young people to find a full-time job and young unemployment has risen drastically since the 1990s to present time.Furthermore, in this period “freeters” began to be new figures in the labour market in Japan.Show less
In the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample...Show moreIn the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample images’, to force converts to apostatize. This thesis analyses an extant fumi-e from the Rijksmuseum voor Volkenkunde, and aims to answer how this fumi-e can be used as an illustration of the process of mutual exchange and adaptation, also called transculturation, that occured before and during the persecution. Using Panofsky’s iconological analysis, the image on the fumi-e can be identified as a depiction of the Madonna of the Rosary. Art featuring this motif was brought to Japan by European missionaries. The fumi-e shows stylistic influences from non-European artistic traditions. These are reminiscent of the art made by Japanese students of the Jesuits, Japanese Buddhist art, the yamato-e style, and nanban art. These influences can be explained by placing the object in the context of the persecution. The Volkenkunde fumi-e was specifically made for the persecution, as a replacement of the worn-out initial fumi-e that consisted of paintings and other fragile items. Using other extant fumi-e featuring the same motif, the development and gradual change of the ‘Madonna of the Rosary’ image can be seen. This change can be explained by the lack of European examples due to the ongoing persecution, and the process of transculturation that had already begun with the first missionaries. This process of transculturation can be seen in other aspects of the persecution as well. The government systematized three major ways of persecution, which can be seen as methods of surveillance and population control. These methods were social control in the form of the goningumi system and offering rewards to informants, monitoring in the form of obligatory registration at Buddhist temples and the compilation of population registers, and tests of faith using the fumi-e. These methods did not only impact Christians, but became part of the fabric of Japanese society, and affected the shape of Japanese Buddhism as well. Furthermore, they asserted the authority of the Tokugawa government. The persecution also helped shape a narrative about identity, in which Christians served as the ‘Other’ against which ‘Japaneseness’ could be contrasted. Echos of this narrative can be seen throughout the Edo period extending into early Meiji, and even in contemporary attitudes towards (Western) foreigners. The Volkenkunde fumi-e illustrates all these points. Its visual qualities show the artistic exchange in the ‘Christian Century’, while its purpose and use demonstrate how the subsequent persecution transformed society by providing methods for population control, assertion of authority for the Tokugawa bakufu, and creating a narrative about identity. It is therefore both a product and an illustration of the transcultural process that occured in the encounter between Japan and Christianity.Show less
A comparative study of two memorials and their museums (Hiroshima Peace Memorial and Yasukuni Shrine) in Japan, with an insight on the public opinion of the two on the web.
This essay builds on recent work on securitization theory by scholars such as Balzacq and Floyd, and explores the still underdeveloped field of resistance and counter-securitization. A successful...Show moreThis essay builds on recent work on securitization theory by scholars such as Balzacq and Floyd, and explores the still underdeveloped field of resistance and counter-securitization. A successful securitization allows for a securitizing actor to deal with an existential threat with extraordinary measures outside the boundaries of normal politics. Resistance refers to the creation of a separate securitization move with its own existential threat and extraordinary measure in relation to the original securitization move. Counter-securitization is defined as an act to halt a securitization move, or to bring the issue back to the realm of ordinary politics. This essay further develops the concept of counter-securitization in comparison to resistance. It also strengthens Floyd’s argument on a just securitization theory by examining the role of pacifism, democracy and constitutionalism using the Japanese security debate as a case study. Finally, it illustrates how norms such as democracy and rule of law have slowly become more significant within the Japanese security debate than the pacifist ideology. It first examines the case of Prime Minister Abe’s ideology on Japanese security policy before taking a look at the political opposition in regards to Abe’s security policies. The section argues that even though the political opposition has all fought against Abe’s policies, there is a clear divide between an Old Left and a New Left. This essay then examines two grass-roots movements, the Article 9 Association and a student activist organization by the name of SEALDs. It shows how the political Old Left and the Article 9 Association have created their own securitization move to protect the pacifist constitution, while the political New Left and SEALDs have generated a counteract to bring the topic of security back to the realm of ordinary politics.Show less
This research deals with how stereotypes about Japanese people manifest themselves in news photographs published in Western media. Hopefully this thesis will also shed a bit of light on how...Show moreThis research deals with how stereotypes about Japanese people manifest themselves in news photographs published in Western media. Hopefully this thesis will also shed a bit of light on how qualitative data analysis methods can be applied not only to textual narratives, but also to (news) photographs. On March 11, 2011, Japan suffered two disasters. Off the Pacific coast of Tōhoku, the most powerful earthquake in Japan’s recorded history occurred (9.0 on the Richter scale). As a result, the eastern coasts of Japan were hit by devastating tsunami waves, killing around 15,000 people. Another disaster quickly followed. Because of the quake and tsunami, there were level 7 meltdowns at the nuclear reactors in the Fukushima Daiichi Nuclear Power Plant complex. It would be the largest nuclear incident since the 1986 Chernobyl disaster. It goes without saying that this was a major news story. But after a while, the discussion in the Western media seemed to shift from actual disaster reporting to assumptions about the Japanese mentality. Blatant stereotypes about Japanese people became more and more apparent in stories about the disaster. Stereotypes not only appeared in the textual narrative, but could also be found within its accompanying images. So it is within the photographs of Japanese people dealing with the tsunami and nuclear disaster that this research attempts to uncover certain stereotypical cues and tropes. These cues and tropes ultimately contribute to the collective manifestations of stereotypes about Japanese people. Current psychological theory conceptualizes stereotypes as cognitive structures or schemas that represent widely shared beliefs about the defining characteristics of social groups. The media most commonly use stereotypical categorizations of individuals or groups based on race or ethnicity, nationality, religion, gender, sexual orientation, mental or physical disability, employment, and age. These stereotypes are automatically activated when audiences encounter cues or symbols in mass media, according to Peffley, Shields and Williams (1996) and Abraham and Appiah (2006). Stereotypes about Eastern people and cultures in particular have been widely researched. Edward Saïd first posited the revolutionary theoretical framework of Orientalism, which is how he coined the particular form that Western stereotypical understandings of Asian cultures has taken. He, and many other experts, claim that this Orientalism has evolved into a cultural myth permeating Western thought. It has been articulated through metaphors which characterize the East in ways which emphasize its strangeness and otherness. The Oriental person is made up of a single image which carries with it the taint of inferiority. Kathleen Tierney and Erica Kuligowski postulate that the media help enforce already existing disaster myths among the general public and organizational actors. Examples of such myths are the notions that disasters are accompanied by looting, social disorganization, panic, and deviant behavior. This is relevant because the Japanese people after the disaster seemed to subvert many of those myths. Surprisingly, this subversion was seen as conformation of the Japanese supposedly stoic yet respectful nature, therefore affirming Orientalist stereotypes. Through the application of these theories and a qualitative data analysis of a selection of 200 images, this research uncovers how stereotypical cues and tropes about Japanese people manifest themselves in these photographs. Whether or not Western news media possess that knowledge and thus deliberately choose to photographs with stereotypical elements, however, are two wholly different questions.Show less
