Central Europe during the third millenium BC is characterized by changing cultures and high mobility. One of the cultures at the start of the millennium is the Corded Ware Culture (CWC), deviating...Show moreCentral Europe during the third millenium BC is characterized by changing cultures and high mobility. One of the cultures at the start of the millennium is the Corded Ware Culture (CWC), deviating from the Neolithic farmers and inheriting cultural traits from the Yamnaya-culture in the east, such as language, ideology and burial traditions. One of these burial traditions is the placement of dog remains in CWC burials. In previous research, dog teeth have been noted to be jewellery, purely aesthetic. These artefacts are also linked to the female gender. On the other hand, complete dogs are linked to the male gender and are noted to be higher valued as representation of the third millennium BC ideology. These conclusions are drawn based on the excavated burial complex, and perhaps one other correlated complex. At the time of writing this thesis, the archaeological research is lacking an overview of dog remains in CWC burials in Central Europe, and therefore a (supra)regional understanding of the dog motif. This thesis aims to elevate the practice of dog remains in burials, and therefore the dog motif, to a level higher than ‘just ornamental’ by answering the research question: How do patterns in the deposition of dog remains in third millennium BC burial sites in Central Europe inform us about the representation of dogs in Corded Ware Culture communities? With the sample data set of CWC burials from Central Europe patterns are traced by comparing burial types, orientation, flexing positions, age groups, types of remains and their placement within different types of depositions, and other burial goods. Based on these patterns, the thesis argues that the dog motif transitioned into referencing ancestry of both local Neolithic farmers as of the Yamnaya-nomads through a process called hybridization. The motif is linked to the high mobility of the period, due to the migratory character of wolves. The material representation functions also as a beacon for travelers, and as a mode of storytelling to mark boundaries the traveler is also part of or warned not to cross. The supraregional motif is spread, however, the implementation of the practice of wearing dog teeth is locally different. Especially canines were telling markers, because their shape was imitated in other animal bone in 25% of the burials. These were only encountered with left-flexed individuals, whereas the complete dogs seem to be linked, although not exclusively, to right-flexed individuals. The burial practice of placing dog remains in CWC burials could be one of the signs of the transformation from Neolithic Europe to the Early Bronze AgeShow less
Summary This thesis investigates the Middle Assyrian jewel assemblage from Tell Sabi Abyad, which comprises a period of about 110 years from 1225 BC to at most 1115 BC. The dunnu with only 900...Show moreSummary This thesis investigates the Middle Assyrian jewel assemblage from Tell Sabi Abyad, which comprises a period of about 110 years from 1225 BC to at most 1115 BC. The dunnu with only 900 people belonging to it was quite a small village; however its significance was based on the location. Its significance is demonstrated by the fact that the dunnu was ruled by powerful, high ranking officials who were members of the royal family. The western provinces of the Assyrian empire were essential for agricultural production. Moreover the tell was not only situated close to the border of the Hittite empire, but was also located at an important trade route from the Levant, North Syria and Anatolia to Aššur. This is mirrored in the jewelry assemblage, which shows far reaching trading connections with raw stones, shells and manufactured products. There is evidence for stone and shell processing for jewelry purposes, but metal items were likely received from bronze working centers like Tell Brak, Chuera or Aššur. On Tell Sabi Abyad graves with cremations and inhumations were encountered. Often the graves yielded, beside various objects, jewelry. Not all graves contained jewelry and the graves with jewelry showed considerable variations in abundance. Two cremation graves have striking similarities in abundance and types of jewelry. Especially figurative, exotic types such as scarabs, frogs, duck weights and pomegranates are found in this context. Jewels were worn by females, males and children and often given into their graves. Women possessed likely the majority, but also man owned bracelets, earrings, necklaces, rings and needles. Striking is the find of two necklaces inside the tower of the fort. Some beads of the necklaces were in shape of phallus symbols and two small combs were likely pendants. Possibly these items belonged to prostitutes who lived in the tower, perhaps in captivity. The design resembles that of other treasures from that region; but Tell Rimah and Aššur show more variety and more wealth than those of the small village Sabi Abyad. Jewels from Sabi Abyad are not exceptional but are designed in Assyrian style typical for that region and period.Show less
Research master thesis | Archaeology (research) (MA/MSc)
some documents under embargo
The focal point of this thesis is the relationship between women and jewellery in the Roman Empire. This relationship is surrounded by positive and negative values, e.g. the responses of ancient...Show moreThe focal point of this thesis is the relationship between women and jewellery in the Roman Empire. This relationship is surrounded by positive and negative values, e.g. the responses of ancient authors range from more positive comments to extreme criticism. The central research question was: What social norms, relations and values does jewellery signify regarding women in the Roman Empire? The central aim is to differentiate and investigate the social norms, relations and values that were associated with the relationship between women and jewellery. In order to do this, jewellery finds and sculptural representations of jewellery from Rome (defined as core) and Palmyra (defined as periphery) in the first two centuries AD were studied. These two categories of evidence were analysed separately per region and then compared. Comparative investigation of the material in both regions increases understanding of the signifying function of jewellery with regard to the prevailing social norms. In visual culture other values, social norms and relations come forward than in the jewellery finds. Four central aspects regarding the finds and representations were focused on: types of jewellery, context, social position of the owner/portrayed, and the expression of gender. These aspects followed from the framework that was developed to study the relationship between women and jewellery, which included the concepts gender, sculptural representations and core-periphery. The research problem this study intended to solve was that archaeological evidence has been rather neglected in the study of women and jewellery. The systematic quantitative and qualitative analyses of the jewellery finds and sculptural representations of jewellery from Rome and Palmyra, attempted here for the first time on exemplary sample sets, as well as the comparison between them, have brought new insights to this field of study.Show less
