This thesis investigates the participation of George R.R. Martin's A Song of Ice and Fire (1996-2011) in a tradition of nominally feminist fantasy literature that challenges patriarchal values...Show moreThis thesis investigates the participation of George R.R. Martin's A Song of Ice and Fire (1996-2011) in a tradition of nominally feminist fantasy literature that challenges patriarchal values commonly found in the genre. By close-reading the characters of Arya, Sansa, and Brienne, this thesis argues that the novels act as a subversion of common fantasy tropes while at the same time standing in opposition to nominally feminist fantasy literature that centers on female protagonists overcoming the patriarchy through skill at arms. By emphasizing the struggle of everyone living under the patriarchy, Martin's series instead highlights the need for cultural revolution in attitudes towards gender.Show less
This thesis argues that the story about Melibeus must be read as a call for peace, and that each version was written to comment on specific events. The versions of Jan van Boendale and Dirc Potter...Show moreThis thesis argues that the story about Melibeus must be read as a call for peace, and that each version was written to comment on specific events. The versions of Jan van Boendale and Dirc Potter are compared and examined against the political and cultural background of their writers.Show less
When the reversion of Okinawa occurred in 1972, the island already was a complex amalgamation of various identities: heirs of indigenous Ryukyu culture, second-class Japanse citizens subjected to...Show moreWhen the reversion of Okinawa occurred in 1972, the island already was a complex amalgamation of various identities: heirs of indigenous Ryukyu culture, second-class Japanse citizens subjected to discrimination and war victims betrayed by its own government and colonised by a foreign force. Literally rising from the ashes, Okinawa has been reformulating its identity once again in face of challenges resulting from their marginal position amidst two greater powers. These include war trauma, economic rebuilding, continued discrimination by the mainland and persisting US base issues. Similar to a kaleidoscope, one can reposition individual elements to create a new constellation. Depending on the observer, different views and meanings can be constructed and interpreted. This thesis examines how Okinawans as a minority have emphasised and/or rearranged certain cultural symbols or narratives, creating new identities and using them as weapons, in order to negotiate a better standing within Japan following the period after the revision. Some developments that immediately come to mind are the emergence of civil society based on universal values of democracy, peace and ecology and the embedding of Okinawans as historical victims of the Japanese government and the mobilization of historical memory. I will be primarily focussing on contemporary post-reversion literature in my analysis, intending on researching the presence of these new identitities within contemporary novels. My objective is to observe if and/or how the ‘main model’ mentioned above is reflected and if the tendencies of modern literature have shifted accordingly.Show less
This thesis studies the modernity of Nima Yushij's first major poem Afsaneh (1921) through a theoretical framework of semiotic change. The thesis draws from sources such as Nima's private letters,...Show moreThis thesis studies the modernity of Nima Yushij's first major poem Afsaneh (1921) through a theoretical framework of semiotic change. The thesis draws from sources such as Nima's private letters, speeches and personally translated fragments from the poem Afsaneh. It compares Nima's own theory of poetic modernity with literary ideologies such as Socialist Realism and Romanticism. Selected metaphors from the poem are analyzed to explore the modernity of the poem through semiotic analysis.Show less
