An edition of a treatise on the Ten Commandments, based on the fourth text in Princeton (NJ), University Library, Garrett 143, fols. 29v-34r; a yet unedited and unpublished text. This edition aims...Show moreAn edition of a treatise on the Ten Commandments, based on the fourth text in Princeton (NJ), University Library, Garrett 143, fols. 29v-34r; a yet unedited and unpublished text. This edition aims to provide a handbook to the text, discussing history, genre, structure, script, but also orthography, morphology, and dialect; as well as containing a full glossary and a diplomatic edition of the text.Show less
In modern research of the Central Mexican manuscripts, the Codex Laud has always remained in a position of obscurity. Barely a handful of comprehensive studies of this codex have been published...Show moreIn modern research of the Central Mexican manuscripts, the Codex Laud has always remained in a position of obscurity. Barely a handful of comprehensive studies of this codex have been published over the past century. Mostly, the Codex Laud is only mentioned briefly in studies of other divinatory codices, and simply regarded as one of the Borgia Group codices, often serving as material for comparison with the other codices of this group. As such, a closer look at this codex is warranted. In this thesis, a single page of the Codex Laud takes the centre stage: page 23, the second-to-last page of the codex, which features a complex composition of calendrical and various other elements around a single central figure. This page forms the subject for a detailed analysis using the iconographical method of Panofsky in order to gain insight into the various layers of meaning hidden within its imagery. In this manner, this thesis will attempt to do what the ancient Mexican diviners did – to determine the associations and meaning(s) of the page in all its aspects and contexts.Show less
