In dit onderzoek is een poging gedaan om tot een oordeel te komen wat betreft het optreden van journalisten tijdens de invasie van Irak in 2003. De samenwerking tussen het Amerikaanse ministerie...Show moreIn dit onderzoek is een poging gedaan om tot een oordeel te komen wat betreft het optreden van journalisten tijdens de invasie van Irak in 2003. De samenwerking tussen het Amerikaanse ministerie van Defensie en journalisten is lange tijd onderwerp van discussie geweest en wordt in dit onderzoek vanuit meerdere perspectieven belicht; dat van de journalisten zelf; dat van andere journalisten die de samenwerking niet aangingen; en dat van de wetenschap.Show less
Colour. A colour, the colour, any colour. Colour in everyday life. Coloured things that individuals use regularly. Colour on the walls, colour in the frames. Colour in the photographs. Colour on...Show moreColour. A colour, the colour, any colour. Colour in everyday life. Coloured things that individuals use regularly. Colour on the walls, colour in the frames. Colour in the photographs. Colour on the multiple screens. Colour in media and films. Furthermore, via things, colour has this potential to speak and evoke memory. In this thesis, I discuss how colour links with memory. More precisely, I analyse how coloured things work as memory’s mediators in two films: And the Wife shall Revere her Husband (1965), and The Red Balloon (1956). In the first case, I claim that coloured things can evoke memory, while in the second, how coloured things work as memes that create memory. In this process, my personal stories assisted me to approach colour in this way. Colours work within a network with their surroundings. In the following pages, I reflect on my own past experiences and I claim that colour and memory have an indisputable connection.Valuable theories and methods from different disciplines, such as media and film studies, sociology and philosophy, stand by my side in this journey. Colours are endless and constant. Without any further delay, allow me to remember and analyse moments through a rainbow costume, a homemade pie, a white hat, and a red balloon.Show less
This thesis discusses the show 'Dexter' (2006) and proves that Dexter confronts its audience with their own (often contradictory) ideas on right and wrong and seeks to show them how to judge those...Show moreThis thesis discusses the show 'Dexter' (2006) and proves that Dexter confronts its audience with their own (often contradictory) ideas on right and wrong and seeks to show them how to judge those that do not fit into the framework of the ruling ethical order. This analysis ties into the bigger picture of how society views ‘the serial killer’ (the ultimate criminal) and the attached moral implications of sympathetic responses to criminals in our current day and age.Show less
In this paper we will explore the complex relationship between the news media and political decision making in the United Kingdom, as well as how that relationship affects an actor’s role in...Show moreIn this paper we will explore the complex relationship between the news media and political decision making in the United Kingdom, as well as how that relationship affects an actor’s role in international relations. Focussing on a selection of British newspapers and the government, we analyse the discourse surrounding migration and refugees during the 2015 Refugee Crisis. We observe the intersections of political influence which travel between the press and politicians, and vice versa, as well as the ways in which those influence mechanisms can impact behaviour at the international level. Considering the relationship according to conceptions of normative values and social hegemony we can identify how the discourse informs the national attitude towards particular issues.Show less
Bilateral relations between the United States and China have increasingly soured since President Donald Trump assumed office in 2017. A key reason is that China’s growing power has made it a threat...Show moreBilateral relations between the United States and China have increasingly soured since President Donald Trump assumed office in 2017. A key reason is that China’s growing power has made it a threat to U.S. hegemony and the U.S. is more proactively seeking to contain China than ever before. While China’s threat can be examined from various theoretical angles, such as realism, few studies have looked at it from the perspective of the U.S. media. This is an important avenue for research as perceptions influence international relations and the media plays an important role in shaping such perceptions. Conversely, the media reflects tendencies in politics and society. Using content analysis, the portrayal of the China threat in the news coverage of the Wall Street Journal is examined between 2016 and 2018. The debate on the China threat has mostly consisted of three categories, namely military, economic, and political. The thesis adds a new category to be used in content analysis, namely world order.Show less
Current prevalent representations of displacement are ubiquitous and often deeply shocking. Previous studies of refugee representation have focused on the polarisation of pro/anti-refugee...Show moreCurrent prevalent representations of displacement are ubiquitous and often deeply shocking. Previous studies of refugee representation have focused on the polarisation of pro/anti-refugee narratives and highlighted patterns in their depiction at opposite poles (in humanitarian and media/political discourses). However, new methods and mediums for representation indicate the evolution of a third discourse which this thesis identifies. At once material, ethical, political and representational, the current crisis of forced migration demands response beyond the reach of governments, intergovernmental and humanitarian organisations. In looking to narrative to enhance our understanding of the contemporary ‘crisis’, cultural representations find new ways of responding to displacement and hosting— without which the debate cannot be advanced. This paper testifies to one strand of cultural engagement with forced migration by focusing on four narratives published since 2015. Reading across genres from fiction to life-stories to journalistic literature and theatre, this thesis examines new discursive approaches to refugee representation in Patrick Kingsley’s The New Odyssey, collaborative refugee writing projects, Voices from the ‘Jungle’ and Shatila Stories, and Joe Robertson and Joe Murphy’s play The Jungle.Show less
The prevalent phenomena of "leftover women" has gained increasing attention from the media and different scholars in Chinese society. The term "leftover women" refers to urban and professional...Show moreThe prevalent phenomena of "leftover women" has gained increasing attention from the media and different scholars in Chinese society. The term "leftover women" refers to urban and professional women who remain unmarried by the time they are in their late twenties or early thirties. This phenomena frequently addresses questions pertaining to why such working women are not married, whether they are willing to marry and their attitudes towards marriage. The Chinese media has also produced many dramatic television series reflecting the situation and marital prospects of leftover women. Within the media, these women are stigmatised as money-worshipers, snobbish or picky. However, it has become evident that leftover women present themselves online as economically and spiritually independent entities who prefer compatibility over financial security in their romantic relationships. Upon comparing depictions of such women in the media to their self-representations, this paper makes a twofold argument: on one hand, media representations controlled by the dominant male discourse are criticising women for being money-oriented and picky so they become losers in the marriage market. On the other hand, women have realised their right to freely choose their own partners and decide when to get married. Hence, the discourse of leftover women actually represents a conflict between traditional patriarchy and potential burgeoning of a women's rights movement in the PRC.Show less
The Ryūkyū archipelago, in Southern Japan, is home to some ancient techniques for crafting (Kijōka-bashōfu) and dyeing (Bingata) textiles which are not found elsewhere in mainland Japan. The...Show moreThe Ryūkyū archipelago, in Southern Japan, is home to some ancient techniques for crafting (Kijōka-bashōfu) and dyeing (Bingata) textiles which are not found elsewhere in mainland Japan. The Kingdom of Ryūkyū was annexed to the Japanese empire only in recent times (1879), after centuries of relative independence, and the Japanese governments of the first decades of the 20th century has made considerable efforts to reshape and silence the local identity. This process of neutralization of local culture also affected the visibility and the perceived identity of those crafts within the national cultural discourse throughout the whole century. My thesis inspects different issues related to the intercurrent relations between heritage and nation. I will reconstruct what has been done to the Ryūkyū local heritage in the past and what the latest developments have been. I will also highlight the differences existing between the ways the identity of these crafts, Kijōka-bashōfu in particular, are presented in documents aiming at the international, rather than domestic, public. By doing so, I will offer an insight on the cultural policies implemented by the Japanese governments in this respect. Finally, I will operate an audiovisual analysis on a documentary made by entities independent by Japan, representing the everyday life and the activities of local craftspeople involved in the production of these textiles. With that, I will also assess how the local discourse on identity differs from the national discourse.Show less
