Bachelor thesis | Film- en literatuurwetenschap (BA)
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Aan de hand van een selectie gedichten uit Britse oorlogspoëzie wordt onderzocht hoe in deze werken een keerpunt gezien kan worden in de Britse visie op de Eerste Wereldoorlog. Door middel van...Show moreAan de hand van een selectie gedichten uit Britse oorlogspoëzie wordt onderzocht hoe in deze werken een keerpunt gezien kan worden in de Britse visie op de Eerste Wereldoorlog. Door middel van memory studies en reflectie op contemporaine herdenkingen wordt geanalyseerd hoe deze nieuwe visie nog steeds dominant is in het Brits cultureel geheugen.Show less
Colour. A colour, the colour, any colour. Colour in everyday life. Coloured things that individuals use regularly. Colour on the walls, colour in the frames. Colour in the photographs. Colour on...Show moreColour. A colour, the colour, any colour. Colour in everyday life. Coloured things that individuals use regularly. Colour on the walls, colour in the frames. Colour in the photographs. Colour on the multiple screens. Colour in media and films. Furthermore, via things, colour has this potential to speak and evoke memory. In this thesis, I discuss how colour links with memory. More precisely, I analyse how coloured things work as memory’s mediators in two films: And the Wife shall Revere her Husband (1965), and The Red Balloon (1956). In the first case, I claim that coloured things can evoke memory, while in the second, how coloured things work as memes that create memory. In this process, my personal stories assisted me to approach colour in this way. Colours work within a network with their surroundings. In the following pages, I reflect on my own past experiences and I claim that colour and memory have an indisputable connection.Valuable theories and methods from different disciplines, such as media and film studies, sociology and philosophy, stand by my side in this journey. Colours are endless and constant. Without any further delay, allow me to remember and analyse moments through a rainbow costume, a homemade pie, a white hat, and a red balloon.Show less
In the following thesis, the following research question was analyzed What kind of images and representations regarding women were depicted through monuments in Flanders after (and during) the...Show moreIn the following thesis, the following research question was analyzed What kind of images and representations regarding women were depicted through monuments in Flanders after (and during) the First World War and why such depictions came to the existence? Through the means of the MCDA analysis, it was concluded that women are represented in the gendered terms in the literal and figurative terms. Women’s “feminine” traits and biological preconditions justify the notions of nationhood and the reasoning of the nation to enter the war, neglecting more accurate representation of the history and role of the women in the war.Show less
This thesis is focussing on the experiences and memories of the Chilean exiles created by the Pinochet regime and how they are represented in the memory culture and national story of Pinochet’s...Show moreThis thesis is focussing on the experiences and memories of the Chilean exiles created by the Pinochet regime and how they are represented in the memory culture and national story of Pinochet’s Chile from 1989 till 2017.Show less
This thesis demonstrates the value of using everyday material culture in producing exhibition narratives. This is done by an in depth analysis of one particular case study, “Sour Sweet Bitter Spicy...Show moreThis thesis demonstrates the value of using everyday material culture in producing exhibition narratives. This is done by an in depth analysis of one particular case study, “Sour Sweet Bitter Spicy: Stories of Chinese Food and Identity in America” by the Museum of Chinese in America (NY). The exhibition aimed at representing the multiplicity of Chinese cuisine in the States, as well as the discussions regarding the definition of authenticity in cuisine and more generally culture. The thesis interprets food first as a frame to identity, an example of Derriderean parergon: food both shapes and is shaped by cultural identity. Statements by chefs and home cooks who were interviewed for the exhibition are analysed in order to support this perspective. In a second moment, the thesis considers the materiality of food as the element which enables the visitor to establish, through synaesthesia, an empathic connection with the stories narrated in the museum. Overall, this thesis aims at enhancing the power of material culture in creating exhibitions which combine the theoretical and abstract with the physical reality which we perceive through our senses and bear great impact on our lives and our perception of the world.Show less
The thesis looks closer at vernacular photography, a record of the everyday created by common people, as one of the most common ways in which photographic images are created. By using the specific...Show moreThe thesis looks closer at vernacular photography, a record of the everyday created by common people, as one of the most common ways in which photographic images are created. By using the specific example of the family photographic collection of John “Zbyszek” Jagla, a Polish refugee born in Uganda, the thesis examines different dimensions of photographic meaning. The analysis draws on research from within the field of photographic theory and applies those theories and approaches to demonstrate the ways in which photographs carry their own meaning, both as images and as objects, and how that meaning changes not just over time but also depending on their context and who is viewing them and why.Show less
In this thesis, I have analysed the encoding of cultural attitudes in the translation of post-war retrospective fiction, as displayed in the speech and thought presentation of the characters in...Show moreIn this thesis, I have analysed the encoding of cultural attitudes in the translation of post-war retrospective fiction, as displayed in the speech and thought presentation of the characters in Erwin Mortier’s 1999 Flemish novel, Marcel. The novel contains a fascinating insight into the cultural attitudes of everyday Belgian citizens who collaborated with the Nazis during World War II. For the purposes of my research, I have used Antoine Berman’s 1985 model of translation tendencies in order to identify and subsequently analyse the effect of the process of translation on the representation of the cultural attitudes of the Belgian collaborators as displayed the English translation of the novel when juxtaposed with the original Flemish version of the novel. In my final analysis, I have both justified the importance of the source text over the translation in its irreplaceability with regard to the conveyance of cultural attitude. In addition to this, I have drawn fresh conclusions about the role and function of the translations of culturally-bound source texts. More specifically, I have highlighted the status of culturally-bound works of post-war fiction as foreign texts in their own right. In doing so, I have argued that these texts serve to make more explicit the cultural attitudes displayed in original works of post-war fiction.Show less
This dissertation considers Scotland's response to the 2007 bicentenary of the abolition of the transatlantic slave trade, in the context of memory and museum studies. It considers to what degree...Show moreThis dissertation considers Scotland's response to the 2007 bicentenary of the abolition of the transatlantic slave trade, in the context of memory and museum studies. It considers to what degree Scotland's response was aligned to an agenda of social justice - and how Scotland is slowly 'waking up' to its slavery past during a time of revived Scottish nationalism.Show less
After the death of Franco in 1975, Spain undertook a process of democratization (The Transition). In many aspects, this process constituted a great example for many other democratic transitions....Show moreAfter the death of Franco in 1975, Spain undertook a process of democratization (The Transition). In many aspects, this process constituted a great example for many other democratic transitions. However, some shadows still overflies the political system emanated from that process. During the decade of the 2000's, many associations started a process for the recuperation of those forgotten through the 'Pact of Silence': a tacit agreement by the main political actors of The Transition, which left aside the memory of the victims of the dictatorship, in order to consolidate a weak emerging democracy. This social demands finally generated a Law of Historical Memory (2007). However, many political and social sectors in Spain considered it as insufficient. With the change of government, in 2012, this law was 'de facto' derogated. The spanish recent memory, then, constitutes an active weapon in the spanish political battlefield; still nowadays, and despite the law. This thesis, through oral interviews to testimonies of different generations, seeks for the differences in the discourse about the historical memory between those who lived The Transition, and those who did not. Does it exist a generational gap? And, in case of being affirmative this question, could it entail some political consequences?Show less
This thesis draws on postcolonial theory and Taiwanese history to provide an in-depth analysis of language and memory in Edward Yang's 1991 "A Brighter Summer Day". It argues that nation's project...Show moreThis thesis draws on postcolonial theory and Taiwanese history to provide an in-depth analysis of language and memory in Edward Yang's 1991 "A Brighter Summer Day". It argues that nation's project of language and memory --- discourse claiming the nation to be linguistically and historically homogenous and unified --- is challenged exactly through language and memory, by drawing attention to linguistic discrepancies and individual memories that challenge the official narrative. This ultimately challenges fixed binary notions of identity such as "(mainland) Chinese" versus "Taiwanese".Show less
On 30 January 1972 the Northern Ireland Civil Rights Association (NICRA) organised a peaceful, yet illegal march in Derry, Northern-Ireland. This march was one of a series of marches NICRA had...Show moreOn 30 January 1972 the Northern Ireland Civil Rights Association (NICRA) organised a peaceful, yet illegal march in Derry, Northern-Ireland. This march was one of a series of marches NICRA had organised in January 1972 to protest against interment. During the march in Derry, the British Army opened fire on the demonstrators, which led to the death of thirteen civilians. Fifteen other civilians were wounded, one of whom died a few months later due to his wounds. This day is more commonly known as ‘Bloody Sunday’. Two days later, the British government announced that an inquiry would be established under the Tribunals of Inquiry Act 1921 to investigate what had happened in Derry, and more importantly, why it happened. An inquiry is set up ‘where is has been resolved by both Houses of Parliament that it is expedient that a tribunal be established for inquiring into a definite matter described in the Resolution as of urgent public importance’. The report, led by Lord Chief Justice Widgery and therefore known as the Widgery Report, was published within eleven weeks, on 19 April. It concluded that ‘there is no reason to suppose that the soldiers would have opened fire if they had not been fired upon first’. About the victims, both deceased and wounded, Widgery concluded that although none of them were proved to have been armed when they were shot, there was a ‘strong suspicion that some [of the victims] had been firing weapons or handling bombs in the course of the afternoon and that yet others had been closely supporting them’. Not everyone agreed with this ‘official’ account of the events of 30 January. Some opponents to the findings have been re-enacting the Bloody Sunday march annually since 1973 in order to both show their disapproval of the Widgery Report, and to keep the memory of the victims alive. After twenty-five years of commemorating Bloody Sunday, and six years after a justice campaign for the victims had started, the then-British Prime Minister Tony Blair agreed to a new inquiry in 1998. This inquiry, known as the Saville Inquiry, was published in June 2010, twelve years after it had been set up. Contrary to the conclusions of the Widgery Report, the Saville Report concluded that it was the British Army, and not the Irish Republican Army (IRA) or the demonstrators, had fired the first shot, that the actions of the army were unjustifiable, and that the victims of the gunfire had been innocent. This paper looks at the annual Bloody Sunday commemorations from 1973 to 2013 in Derry to see what the effect of the public inquiries of 1972 and 1998 was on the perception of what happened at Bloody Sunday.Show less
