This thesis studies Patricia Lockwood's novel No One Is Talking About This and Maxime Garcia Diaz' poetry collection Het Is Warm In De Hivemind in search of an understanding of the forms of affect...Show moreThis thesis studies Patricia Lockwood's novel No One Is Talking About This and Maxime Garcia Diaz' poetry collection Het Is Warm In De Hivemind in search of an understanding of the forms of affect that arise in an online/offline dynamic. It brings this affect in conversation with theories of metamodernism and postdigitality. It puts forth a sensibility called the postdigital, metamodern sensibility in which the poles of postmodern irony and cynicism and modern enthusiasm and naivety exist in a fluid dualism with eachother, as opposed to in the oscillation proposed by the metamodern school.Show less
This thesis offers an analysis of the development of Salman's Rushdie's work through a close reading of two early novels (Midnight's Children and The Satanic Verses) and two most recent novels (The...Show moreThis thesis offers an analysis of the development of Salman's Rushdie's work through a close reading of two early novels (Midnight's Children and The Satanic Verses) and two most recent novels (The Golden House and Quichotte). The research question is to establish whether a major change in style has taken place. The premise is that a shift seems to have taken place from what Brian McHale calls the ontological dominant in postmodernism to an ethical and moral dominant. This thesis focuses particularly on typical postmodern topics such as the questioning of the ontological relationship between reality and truth, since Rushdie’s style of fantastical writing invites such a focus.Show less
The postmodern era may not have reached its end, yet its very characteristics invite research into a number of issues that postmodernism has so far failed to address in a satisfactory way. In the...Show moreThe postmodern era may not have reached its end, yet its very characteristics invite research into a number of issues that postmodernism has so far failed to address in a satisfactory way. In the last three decades, many have declared the death of postmodernism and demanded a theoretical system that could better represent the current sociocultural scene. In this post-postmodern fever, metamodernism offers itself as a cultural philosophy able to gather some important sociocultural and artistic tendencies of the last decades and illuminate the contingencies that shaped them by interpreting these tendencies as one single responsive wave to postmodern culture. This thesis will explore the legitimacy of the metamodern paradigm through the analysis of the tv show Maniac as the main case study.Show less
