This thesis analyzes the representation of Kazakhstan as a multiethnic nation in contemporary Kazakhstani cinema. Although much has been made of how the state has attempted to build the image of...Show moreThis thesis analyzes the representation of Kazakhstan as a multiethnic nation in contemporary Kazakhstani cinema. Although much has been made of how the state has attempted to build the image of Kazakhstan as inherently multiethnic, in focusing on film, this thesis hopes to go some way to exploring the representation of Kazakhstani mnogonational'nost' (multinational-ness) at the popular level. In doing so, the thesis argues that there are several competing representations of 'multiethnic Kazakhstan'. One, arguably the more prominent, represents Kazakhstani mnogonational'nost' in a totalized, essentialized and depoliticized manner reminiscent of Soviet categories of nationality. Other emerging representations, meanwhile, appear to offer more complexity.Show less
