This thesis investigates the evolution of satire through the Azerbaijani satirical television program “Mozalan” in response to the political climate from 1980 to 1992. Initially adhering to the...Show moreThis thesis investigates the evolution of satire through the Azerbaijani satirical television program “Mozalan” in response to the political climate from 1980 to 1992. Initially adhering to the Party line, “Mozalan” grew bolder with Glasnost, eventually developing its own direction as the Soviet Union approached collapse. Early satire (1980-1984) focused on societal issues influenced by Heydar Aliyev’s campaigns, termed “state-appropriated laughter,” using humorous light-hearted satire to promote moral improvement. From 1985 to 1989, the satire became more critical, shifting from a light-hearted to an acerbic style filled with anger, challenging state policies and expanding the scope of critique. By 1990-1992, satire intensified, with fictional episodes maintaining humor and documentary episodes expressing not only anger but also resignation, reflecting the absence of a stable government and its ideology during this chaotic period. This study highlights significant shifts in satirical styles and media representation, revealing complexities beyond existing theoretical frameworks.Show less
