This thesis presents an interdisciplinary study including archaeological and philological evidence. It is concerned with the development of musical entertainment and the socio-cultural value and...Show moreThis thesis presents an interdisciplinary study including archaeological and philological evidence. It is concerned with the development of musical entertainment and the socio-cultural value and function of music in ancient Mesopotamia in the late 4th and 3rd millennium BCE. It also investigates changes in the form, venue and occasion of performances which are continuously affected by trajectories such as the period, religion, politics, technology, and style. It includes the classification of ancient instrument according to modern types on the basis of iconographical and archaeological materiel, as well as the identification of the most important instrument names in ancient Sumerian literary texts. Moreover, it concerned with different contexts of musical performance. A survey of depicted scenes has led to the definition of various topics which are structured in a rough chronological order according to their initial appearance. They are explained on the basis of archaeological, iconographical and / or literary evidence. This scholar-imposed scheme allows to examine instruments in their performative function. Thus, it is possible to investigate the socio-cultural role of music in certain historical periods from different perspectives and provides information about characteristics of political, intellectual or religious life. A catalogue of the all iconographic and archaeological attestations featuring musical instruments dating to the late 4th and 3rd millennium BCE as well as a survey of the Sumerian literary text corpus referring to musical performances are the foundation of this study.Show less
