This thesis explores to what extent and how self-expression is portrayed in K-Pop choreography. The theoretical framework takes into account K-Pop idols' professionalism, the influence of modern...Show moreThis thesis explores to what extent and how self-expression is portrayed in K-Pop choreography. The theoretical framework takes into account K-Pop idols' professionalism, the influence of modern dance education, and the sociological dynamic combination of “collectivism” and “individualism” as represented in relation to the concepts of “holism” and ilmu. Additionally, an analysis of K-Pop choreography through four generations was performed to reveal a development in the incorporation of self-expressive aspects. The first generation exhibits subtle signs of semiotic use and point choreography. A more defined framework for K-Pop choreography is established in the second generation, which also includes individualistic concepts like the "domino effect." The third generation features choreography that utilises sign language and different dance genres, while the fourth generation shows an increase in the showcasing of individuality when taking into account changes made to official choreography. The research therefore shows that the scene of K-Pop choreography is developing in terms of showing self-expression, allowing idols to express their uniqueness while retaining collective harmony.Show less
