This thesis studies the modernity of Nima Yushij's first major poem Afsaneh (1921) through a theoretical framework of semiotic change. The thesis draws from sources such as Nima's private letters,...Show moreThis thesis studies the modernity of Nima Yushij's first major poem Afsaneh (1921) through a theoretical framework of semiotic change. The thesis draws from sources such as Nima's private letters, speeches and personally translated fragments from the poem Afsaneh. It compares Nima's own theory of poetic modernity with literary ideologies such as Socialist Realism and Romanticism. Selected metaphors from the poem are analyzed to explore the modernity of the poem through semiotic analysis.Show less
Through the application of theory developed by Deleuze and Guattari this essay digs into the disruptive potential of the surreal and mythic imagery present in Hedayat's novel 'The Blind Owl'. The...Show moreThrough the application of theory developed by Deleuze and Guattari this essay digs into the disruptive potential of the surreal and mythic imagery present in Hedayat's novel 'The Blind Owl'. The whirlpool of time and space in 'The Blind Owl', ensuing from a mixture of linear and cyclic time-frames, allows for a scrutiny of the novel along the lines of (Deleuzian) concepts such as aion and chronos, spiritual and bare repetition and the spiritual automaton.Show less
