This thesis explores the stereotypes of different Cold War movies made in the Soviet Union. Three movies are analysed based on a critical literature review about stereotypes. Based on the...Show moreThis thesis explores the stereotypes of different Cold War movies made in the Soviet Union. Three movies are analysed based on a critical literature review about stereotypes. Based on the observations and different theories of scholars the stereotypes are defined and placed within their time period.Show less
This thesis is concerned with the narrative on peaceful Korean reunification and the efforts of the North Korean regime to shape this narrative through online pro-North Korea websites. The thesis...Show moreThis thesis is concerned with the narrative on peaceful Korean reunification and the efforts of the North Korean regime to shape this narrative through online pro-North Korea websites. The thesis consists of an original case study research of pro-North Korea online newspaper Minjok T’ongshin and how it uses the concept of the Korean minjok to shape the narrative on peaceful Korean reunification. The thesis should conclude with a controversial answer to the following research question: what role does the concept of the Korean minjok play in the shaping of the South Korean narrative on peaceful Korean reunification by Minjok T’ongshin during the Kim Jong Un regime, and can it achieve the peaceful reunification that is envisioned?Show less
This thesis explores the cyclical construction and reproduction of neo-orientalist discourse in the post-9/11 world order, through a qualitative case study comparing and contrasting selected...Show moreThis thesis explores the cyclical construction and reproduction of neo-orientalist discourse in the post-9/11 world order, through a qualitative case study comparing and contrasting selected content from the British tabloid-style newspaper Mail Online, and the militant organization Daesh’s propaganda magazines Dabiq and Rumiyah. Analysis concerns a sample of articles highlighting dichotomies between the conceptual blocs of “Western Civilization” and “Islamic Civilization”; specifically the representation of Daesh on both sides of the discursive equation as a neo-orientalized entity, thereby arguably re-enforcing conceptions of Islam as an inherently barbaric, medieval, and threatening culture and religion. Based on the samples analyzed, this thesis uncovers a self-perpetuating cycle of neo-orientalist representation of Daesh, identifiable on a micro scale in its own publications as well as the British news publication. Similarities concerning the representation of Daesh in the scrutinized samples are identified and deemed problematic, opening discussion into the realm of the ethics and responsibility of contemporary journalism.Show less
During the first years of the Cold War propaganda became the quintessential tool with which the US government implemented on a national level to sway the public into accepting the nuclear arms race...Show moreDuring the first years of the Cold War propaganda became the quintessential tool with which the US government implemented on a national level to sway the public into accepting the nuclear arms race. Through the use of the fifth anti-communism fifth news filter of the propaganda model which was developed by Edward S. Herman’s and Noam Chomsky one can come to understand the winning recipe behind the US domestic propaganda wide-reaching influences between 1945 and 1968. By spreading anti-communism, soothing language, and disinformation the American people were reminded of the price of failure in the nuclear arms race. This parallel to a war on ideas virtually obliging the populace to favor a spending shift from education and other civil services to defense spending and nuclear production. By imprinting the ideological and cultural superiority of American values and the tyrannical intentions of the Soviet Union, domestic propaganda warned Americans against communist indoctrination and restricted artistic freedom. Additionally, through the print media, education, television, and film the Cold War was presented as an epic, but losing struggle between American freedom and Soviet tyranny. Movie producers, magazines, news broadcasters, and artists were financed by governmental organizations to propagate strong messages of American ideologies such as freedom and create a nationwide anti-communist sentiment aimed to justify the increased nuclear spending that was diverted from public resources. Those who objected to the US government’s actions were diagnosed as extremists or pro-Soviets and were targeted by the state and society alike.Show less
