Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
Exploring the countryside has been a phenomenon in the United Kingdom for many decades. In contemporary discourse, challenges to who frequents these landscapes have risen. Indeed, ethnic minorities...Show moreExploring the countryside has been a phenomenon in the United Kingdom for many decades. In contemporary discourse, challenges to who frequents these landscapes have risen. Indeed, ethnic minorities are underrepresented in the UK outdoors communities. As stories of human’s relation to nature are foremost told from Eurocentric, white, and male perspectives, this thesis centres Black women and women of colour who are members of the women’s outdoors organisation Bristol Steppin Sistas (BSS). Operating as a safe space for black women and women of colour, the organisation organises multiple walks a month to get local women to explore rural landscapes in the UK’s South West region. This ethnographic research comprises two complimentary elements: a 30 min.-long film, and an article, which examine the role walking and talking in nature plays in the daily lives of black British women. It uses data gathered from interlocutor observation of BSS members, semi-structured sit-down interviews, and un-structured walk-along interviews with three members of the group, during two months of fieldwork. This article has the dual purpose of making theoretical arguments and discussing methodological considerations in reference to the film. In doing so, three key themes emerge: (1) BSS challenges racial and gender stigmas around exploring British nature, (2) the group provides a safe space for its members to gain a sense of belonging, strengthening their individual identities, (3) Black British women living in urban areas need the outdoors to lessen anxieties and better physical health. By claiming space in the South West UK’s countryside, BSS provides an indispensable community for black women and women of colour living in the hectic urban environment of Bristol.Show less
Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
Community music is a way of making music within a group of people, by letting everyone participate in the process in their unique way. Sounds of Change uses community music in order to establish...Show moreCommunity music is a way of making music within a group of people, by letting everyone participate in the process in their unique way. Sounds of Change uses community music in order to establish social change in refugee centres. But how do they use social change in order to pursue social change and what social change are they seeking for? This study explores the effects of community music on children in Dutch refugee centres. After conducting semi-structured interviews and participant observation, I suggest that, in order to establish a sense of communal belonging, creativity and connection among the participants of the workshops, a safe space is required. Whenever children feel safe, they dare to share their ideas. A common language is not required for this; music can often speak for itself. Moreover, Sounds of Change equalizes all individuals and embraces cultural diversity, which is considered more common in grassroots and pragmatic practices than in national Dutch multicultural policies.Show less
