This thesis investigates the evolution of satire through the Azerbaijani satirical television program “Mozalan” in response to the political climate from 1980 to 1992. Initially adhering to the...Show moreThis thesis investigates the evolution of satire through the Azerbaijani satirical television program “Mozalan” in response to the political climate from 1980 to 1992. Initially adhering to the Party line, “Mozalan” grew bolder with Glasnost, eventually developing its own direction as the Soviet Union approached collapse. Early satire (1980-1984) focused on societal issues influenced by Heydar Aliyev’s campaigns, termed “state-appropriated laughter,” using humorous light-hearted satire to promote moral improvement. From 1985 to 1989, the satire became more critical, shifting from a light-hearted to an acerbic style filled with anger, challenging state policies and expanding the scope of critique. By 1990-1992, satire intensified, with fictional episodes maintaining humor and documentary episodes expressing not only anger but also resignation, reflecting the absence of a stable government and its ideology during this chaotic period. This study highlights significant shifts in satirical styles and media representation, revealing complexities beyond existing theoretical frameworks.Show less
In this thesis, I try to answer the research question “How were the samurai satirized through the usage of anthropomorphic animal imagery in visual art during the Bakumatsu period”. I aim to...Show moreIn this thesis, I try to answer the research question “How were the samurai satirized through the usage of anthropomorphic animal imagery in visual art during the Bakumatsu period”. I aim to explore the use of animals in visual art to depict samurai and the connection between the use of animals and the concept of parody. During these turbulent times from the 1840’s to the 1860’s an increase in political satire is seen in visual art, as such the usage of animal imagery to convey this satire is also seen during these years originating from the Tenpō reforms. Through the concepts of parody, historical context, and various analyses I will have enough material to formulate a conclusion. It shows that the decline of the shogunate did not result in a consistent nationwide rise in grotesque animal portrayals of the samurai. Factors such as place and the level of authoritative power also played significant roles.Show less
This thesis deals with the satirical appropriation of stereotypes and cultural cliches in the works "Les Trois Femmes Noires" and "Courbet 3(Sleep)" by Mickalene Thomas and "The End of Uncle Tom"...Show moreThis thesis deals with the satirical appropriation of stereotypes and cultural cliches in the works "Les Trois Femmes Noires" and "Courbet 3(Sleep)" by Mickalene Thomas and "The End of Uncle Tom" and "A Subtlety" by Kara Walker, as a strategic tool for self-empowerment in their visualization of black female sexuality.Show less
