In the last twenty years new forms of socially engaged art have globally emerged aiming to address the impellent environmental perils. Contemporary Japan, where the belief in an ancient harmonious...Show moreIn the last twenty years new forms of socially engaged art have globally emerged aiming to address the impellent environmental perils. Contemporary Japan, where the belief in an ancient harmonious human-nature cohesion is presented as an authentic heritage, provides an intriguing starting point for investigating the emergence of such ecologically committed art forms. How are contemporary art initiatives attempting to sensitize the public to sounder relational and “ecosystemic” ways of living? What are the proposals that are currently being set forth? The comparison and contrast of two initiatives, the Echigo-tsumari Art Field and the Tokyo-based teamLab project, will allow me to move towards the central hypothesis of this thesis, that is, that self-consciously labelling certain artistic practices as “eco”, can sometimes be a pretext for a variety of economic, social and cultural purposes rather than just an artistic concern. The Japanese conception of nature (shizenkan), which inspires both initiatives will be proposed here as a double-edged sword: on the one hand, it can be exploited to market and sell a static, fictionalized idea of nature, but it also has the potential to become a valuable representational idea from which to depart to develop something new.Show less
This thesis examines the Echigo-Tsumari Art Triennale (ETAT) and the Setouchi Triennale (ST), two of the largest and best-known Art Triennale in (and outside) Japan, and considers how these art...Show moreThis thesis examines the Echigo-Tsumari Art Triennale (ETAT) and the Setouchi Triennale (ST), two of the largest and best-known Art Triennale in (and outside) Japan, and considers how these art festivals intend to provide a solution to the continuing ageing population and declining birthrate in Japanese rural areas. Japan contains the largest proportion of elderly people in the world and its population continues to decline since 2004. Yet, this decrease is especially severe in rural areas because the majority of the population consist of elderly people. The Echigo-Tsumari Art Triennale (ETAT) and the Setouchi Triennale (ST), have been established as strategies to tackle Japan’s increasingly ageing population. The former was established by Kitagawa Fram (1946-present) whereas the latter was co-founded in 2010 by Kitagawa Fram and Fukutake Sōichirō (1945/46-present). The common aim of the ETAT and ST initially seems to be the restoration of these economically declining rural areas through contemporary art projects. Yet, this thesis claims that Kitagawa’s and Fukutake’s idealistic views about the countryside and ‘traditional’ countryside lifestyles resulted into their attempt to reshape Japanese society by reidentifying neglected rural areas through contemporary art. This is because both men’s strong partnership and their active involvement in both Triennale shape these art festivals according to their own convictions and objectives. Therefore, this thesis demonstrates that the ETAT and ST’s purpose exceeds rural revitalization and is actually about the creation of a ‘new’ society which is brought together by the art festivals.Show less
The Japanese Government, since the establishment of the Kyoto Protocol, has failed in effectively addressing climate change. Research has shown that the Japanese Government’s failure in combination...Show moreThe Japanese Government, since the establishment of the Kyoto Protocol, has failed in effectively addressing climate change. Research has shown that the Japanese Government’s failure in combination with its control over the media developed a misleading conception among the Japanese population of its efficacy in implementing environmentally-friendly policies, thus different kinds of communication are needed. This study aims to determine how employing art as a surrogate form of communication might raise awareness on the necessity and urgency of tackling environmental issues in Japan. Building on an alternative conception of the human-nature relationship arising from Zen Buddhist and Shinto values, this study asks: “To what extent can ecological art in Japan promote a message of sustainability that raises awareness and enhances the action of everyday actors?” By means of process-tracing combined with a case study analysis, this study illustrates the causal mechanisms between the Japanese religio-cultural inspired conception of the human-nature relationship, ecoart, and the establishment of a more environmentally friendly society. The case study analyses on the Echigo-Tsumari Art Field (ETAF) initiative showed that, by means of ecoart focused on community, locality and emotions, ETAF represents a viable model for Japan to increase ecoart initiatives and stimulate grassroots efforts towards environmental protection by means of art. Further research is needed on the initiatives engaging with the Japanese public aimed at delivering a message of environmental betterment by means of art and culture, as well as to determine the effects of ecoart in other parts of the world.Show less
De Japanse overheid heeft aangegeven tijdens de zesde Conference of the Parties to the Convention on Biological Diversity dat het land voor de rest van wereld als koploper wilt fungeren wat betreft...Show moreDe Japanse overheid heeft aangegeven tijdens de zesde Conference of the Parties to the Convention on Biological Diversity dat het land voor de rest van wereld als koploper wilt fungeren wat betreft natuur- en milieubehoud. Tijdens deze conferentie lanceerde de overheid aan de Engelstalige wereld het concept satoyama, omdat er geen vergelijkbaar concept zou bestaan in de Engelse vocabulaire. Daaruit rijst de vraag wat het concept satoyama inhoudt voor de Japanse overheid, en hoe diezelfde overheid de ideeën achter het concept inzet, op zowel lokaal, als op nationaal en internationaal niveau.Show less
