The advent of new technologies is continually changing the dynamics of political communication, making social media (especially Twitter) a direct linkage between politicians and the public,...Show moreThe advent of new technologies is continually changing the dynamics of political communication, making social media (especially Twitter) a direct linkage between politicians and the public, different from, for instance, TV interviews. Thus, it is generally believed that parties can take advantage of these new channels to spread their messages, and populist Eurosceptic parties are particularly expected to utilize them as a way to expand their support and visibility within the political field. Given this, further considerations could be raised on how these parties use social media. While some may argue that social media acts only as a complementary platform to maximize the reach of proposals, many scholars have pointed out that these parties use social media to make their discourse even more colloquial, mobilizing and radical. The research question to be addressed is: what is the discursive strategy of populist Eurosceptic parties on Twitter compared to the one on TV interviews?Show less
In recent years, the terms ‘fake news’ and ‘post-truth’ have entered into common parlance. The prevalence of social media has done much to aid the spread of conspiracy theories and false or hateful...Show moreIn recent years, the terms ‘fake news’ and ‘post-truth’ have entered into common parlance. The prevalence of social media has done much to aid the spread of conspiracy theories and false or hateful information online. Historian Sophia Rosenfeld has argued that social media platforms have created a ‘wild west climate’ in which fact and fiction are muddled and popularity rather than reliability dictates the type of information that is presented to users. The primary focus of this thesis is on the role archivists can play in preserving problematic and false information that has been created and spread on social media. This paper will focus on one particular case study of false and controversial information shared on social media: the so-called ‘Irish slaves myth’ or ‘Irish slaves meme’. One of the central questions of this paper is whether this content merits a place in an archive based on its importance as a historical record. Proceeding from this question, the paper will then consider the issues that an archival institution must address if it were to create such an archive.There are many special issues that an archival institution would have to consider when creating this archive, such as appraisal (determining the archival value of the material), preservation, arrangement, description, and ethics. This paper will study these issues as they apply to the creation of a hypothetical archive of the Irish slaves meme and it will attempt to offer some solutions.Show less
The notion of the spectacle, developed in the era of traditional media, represented a sharp and accurate prediction of the society to come. Guy Debord envisioned the alienation and separation of...Show moreThe notion of the spectacle, developed in the era of traditional media, represented a sharp and accurate prediction of the society to come. Guy Debord envisioned the alienation and separation of individuals from each other and from themselves by means of images, as well as the commodification of life. At the time Debord developed his critique of the spectacle, television was increasingly expanding its monopole and flattening the general discourse to one reality. This same reality was soon to be fragmented, together with individuality, by the arrival of the internet and social media. The Italian TV program BLOB, broadcasted on Italian public television since 1989, and its presence on social media, could help us to understand more about these dynamics.Show less
The article examines the use of social media during crisis events. In this particular case, the focus is on the use of Twitter in meaning-making processes during terrorist attacks in Paris and...Show moreThe article examines the use of social media during crisis events. In this particular case, the focus is on the use of Twitter in meaning-making processes during terrorist attacks in Paris and Brussels. The article examines how visual material in the form of images was used on Twitter in order to create counter-discourses alongside the dominant discourse.Show less
