Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Turkish improvised lament songs, also known as 'Ağıt', have a rich history within Turkish oral poetry. All the way from complete improvisation during a funeral to full standardization within...Show moreTurkish improvised lament songs, also known as 'Ağıt', have a rich history within Turkish oral poetry. All the way from complete improvisation during a funeral to full standardization within popular music, Ağıt are found everywhere within Turkish culture. By using a musicolinguistic and semiotic approach this thesis uncovers the formal structures that lie beneath the improvised lament songs.Show less
