This paper investigates Barack Obama’s style of speech. First of all, the purpose is to examine how Obama’s conceptual metaphors and other distinct style markers in his speeches frame himself and...Show moreThis paper investigates Barack Obama’s style of speech. First of all, the purpose is to examine how Obama’s conceptual metaphors and other distinct style markers in his speeches frame himself and his views in terms of the three rhetorical appeals of ethos, pathos and logos. Second, it is intended to test whether the given style markers undergo any change or remain consistent over the period of his presidency. A quick review of his first and the last State of the Union Address reveals that his most recent speech makes use of humour and informal expressions like phrasal words and colloquialisms in contrast to the serious tone and official language of the first address. The methodology employed in this paper consists of the stylistic checklist by Leech & Short (2007), the Metaphor Identification Procedure (Pragglejaz Group 2007) and the Conceptual Metaphor Theory by Lakoff and Johnson (1980). The theoretical framework applied is based on the concepts of canons of rhetoric, metaphor and metaphor in politics as well as framing. An analysis using the above-mentioned theories and framework reveals how Obama frames himself, Americans as people, and how he structures the American realities of life in terms of three rhetorical appeals.Show less
“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” The opening sentence of one of Jane Austen’s most famous romantic novel Pride...Show more“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” The opening sentence of one of Jane Austen’s most famous romantic novel Pride and Prejudice does not only claim a universal truth on love and marriage, it also provides insight into the perceptions of love and the norms and values that govern love in the 19th Century, as does the entire novel. However, society and the social-cultural norms governing it have changed immensely since the nineteenth-century world of Pride and Prejudice, it is therefore more than likely that a modern contemporary audience, without any social-historical or cultural background, would not fully understand the social and cultural setting of the novel. Furthermore, the practice of and ideas surrounding translation also underwent great change. This thesis researches whether the changes in socio-cultural norms and perceptions are noticeable in diachronic research of romantic literature in translation, on either a linguistic (stylistic) or cultural level, by conducting a comparative study of Dutch translations of Austen’s Pride and Prejudice.Show less
The main aim of this thesis was to establish whether strong reactions such as ‘Oskar would never say that!’ and ‘That’s just plain wrong!’ to the official Dutch translation of the novel Extremely...Show moreThe main aim of this thesis was to establish whether strong reactions such as ‘Oskar would never say that!’ and ‘That’s just plain wrong!’ to the official Dutch translation of the novel Extremely Loud & Incredibly Close (Foer, 2005) could be caused by a loss of style in the translation. In order to measure the retention of style in the translation, a translation quality assessment tool that focusses solely on style was needed. However, such a tool did not exist. Instead it was opted to adapt a translation method that prioritises style. Such a method was found in Bovelander’s 2015 style-centred translation approach. The Bovelander method includes a thorough stylistic analysis followed by the selection of translation procedures that should be used to retain style (a greenlist) as well as a listing of procedures that should be avoided because they would cause a loss of style (a blacklist). These procedures are pivotal in the adapted Bovelander method: a comparative reading of the source text and target text that reveals which procedures were used during the translation process. If blacklisted procedures occur considerably more often than greenlisted procedures, then there is a loss of style. The adapted Bovelander method suggested a severe loss of style in the Dutch translation of Extremely Loud & Incredibly Close (Foer, 2005), which might indeed explain the strong reactions to the translation voiced by a number of translation students.Show less
Research master thesis | Archaeology (research) (MA/MSc)
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This paper examines the use of the medium of sculpture in the public sphere in Roman East Midlands including sculpture in the round, reliefs, architectural decoration, tombstones and inscriptions....Show moreThis paper examines the use of the medium of sculpture in the public sphere in Roman East Midlands including sculpture in the round, reliefs, architectural decoration, tombstones and inscriptions. The aim of the research is to analyse the social aspects of the public display of the sculptural medium in order to understand what role sculpture had within the society and the reasons behind choices such as subject matter, form and style. All of the sculptures and inscriptions from the chosen study area between and including Lincoln, Leicester and Water Newton are examined in detail and discussed within the context of their find location. The visual effect of sculpture is examined in terms of location in the landscape, the composition of the image and the visual impact of style. The question of identity is also discussed in terms of the commissioning and use of sculpture and the choice of style. In order to gain a better understanding on the fragmented nature and poor survival of sculptures in the area, their fate in terms of re-use and the scale of possible loss is also examined. Although the poor survival of Romano-British sculpture in the East Midlands makes them a difficult area of study, the aim of this paper is to examine different ways of viewing the material in order to gain more insight into the society who acquired and used such sculptural displays.Show less
