Anne Carson’s Autobiography of Red (1998) is a text that traverses the boundaries between postmodernism and mythology. As such, it investigates and builds further upon its own mythological...Show moreAnne Carson’s Autobiography of Red (1998) is a text that traverses the boundaries between postmodernism and mythology. As such, it investigates and builds further upon its own mythological foundations, rooted in the poem Geryoneis by the ancient Greek poet Stesichoros. The aim of this study is to explore, through a close reading of Carson’s text, how we can move from thinking about mythology solely in terms of representation towards thinking of mythology in terms of simulation. This argument will be made by taking a semiotic approach. This approach not only makes a diachronic study of mythological language possible, but also makes it possible for us to think about how signs traverse (spatially) between different sign systems. The study starts by using René Girard’s approach of reading myths as texts of persecution in order to uncover Autobiography of Red’s underlying ideological codes. Linda Hutcheon’s theories concerning historiographic metafiction and parody are then used in order to explore how Carson, in using syllogistics, investigates the origins of the supposed blinding of Stesichoros by Helen of Troy. The study then moves on to a diachronic study of the sign systems in the text using Roland Barthes’ theory concerning myth as well as his metalingual system. The final chapter of this study starts out by conceptualizing a notion of textual space, following Barthes’ distinction between ‘work’ and ‘Text’ and Gilles Deleuze’s and Felix Guattari’s philosophy of smooth and striated space. After having conceptualized textual space, a diagrammatic and simulative function of mythology is theorized.Show less
