In this thesis I set out to describe and subsequently compile a terminology of the prosecution of financial crime in the Netherlands in its entirety, from the initial reporting to the final...Show moreIn this thesis I set out to describe and subsequently compile a terminology of the prosecution of financial crime in the Netherlands in its entirety, from the initial reporting to the final sentence. I will discuss the legal system of the Netherlands with the help of various legal scholarly sources and other descriptive sources. By situating the uniquely system-bound language of the prosecution of financial crime in the Netherlands within Dutch legal language, I uncover the challenges of producing an English language terminology for this particular subfield. The subfield, which touches on multiple areas of law and policy and is regulated by multiple institutions, results from governments’ and supranational organizations’ increased attention for crimes with a significant financial component and high societal impact in recent years. By giving an overview of the field of translation studies – and in particular theory of legal translation – such as theories by Deborah Cao and Susan Šarčević I will provide a foundation for overcoming terminological and translation challenges. My proposed methodology suggests an approach to translating Dutch legal terminology which consists of presenting micro-evaluation and macro-evaluation of concepts, assessing both conceptual relations and origins, and illustrating the found relations and definitions in the end product.Show less
This MA thesis is a theoretical discussion of the issues that need to be considered by a translator faced with the challenge of translating Connie Palmen’s Jij zegt het into English. This Dutch...Show moreThis MA thesis is a theoretical discussion of the issues that need to be considered by a translator faced with the challenge of translating Connie Palmen’s Jij zegt het into English. This Dutch novel tells the tragic story of the relationship between Ted Hughes and Sylvia Plath, and is narrated by Hughes himself. One of the greatest challenges for the translator is that they would be required to transpose Palmen’s words back into the language Hughes wrote in. The reception of an English translation of this novel will be influenced by the translator’s decisions regarding the use of style and their manner of demonstrating the novel’s indebtedness to other texts.Show less
Research master thesis | Literary Studies (research) (MA)
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This thesis researches a Sanskrit law code called the Manusmrti or Manava Dharmasastra, translated in English as "The Laws of Manu". Through a critical analysis of the translations and...Show moreThis thesis researches a Sanskrit law code called the Manusmrti or Manava Dharmasastra, translated in English as "The Laws of Manu". Through a critical analysis of the translations and interpretations of Indologists Wendy Doniger and Patrick Olivelle, it will be argued that the current interpretations of the Manusmrti are starkly Western and prove a continuation of a discourse initiated in British colonial India. This discourse entails a framework of Western law and law code. The Manusmrti, however, is concerned with the Sanskrit concept of "dharma". With the help of the translation theories of Walter Benjamin and Jacques Derrida it will be argued that "dharma" is a concept very distinct from the Western "law" and proves untranslatable. Furthermore, this thesis proposes a reading for the Manusmrti different from the current Western framework of law. The proposed new interpretation is based upon the concept of "aphorism" as described by Friedrich Nietzsche. To elucidate the differences in philosophy between the current interpretations and the interpretation proposed in this thesis, the theories of Gilles Deleuze and Benedictus Spinoza will be deployed. Their ideas will help to show that the proposed interpretation will ultimately entail another, more productive world-view for the Manusmrti and the conceptualisation of its key term "dharma".Show less
In the globalizing society we live in today, movies are made available to a broad and international audience through the translation of their contents – dubbing, voice-overs and subtitling. Of...Show moreIn the globalizing society we live in today, movies are made available to a broad and international audience through the translation of their contents – dubbing, voice-overs and subtitling. Of these, subtitling has proven to be an effective tool for the transmission of the core message to a different target audience without affecting the original too much. It is common practice in Japan to add Japanese subtitles to American film productions; regardless of genre, motion picture rating and popularity. The same is done for domestic Japanese cartoons (anime) and TV programs through the use of open captions. These types of subtitles are especially appropriate for hearing audiences of whom the people can hear the dialogues, sounds and background music themselves. Subtitles for non-hearing audiences, like deaf and hearing impaired viewers, need a different approach as the translation of sound to (written) language is also necessary. Only with this second layer of translation, can the deaf have a complete cinematic experience and be exposed to all cinematic clues. Nonetheless, in Japan this second layer of translation of American movies is insufficient, if not almost absent. In recent years, this issue has surfaced in the academic field of audiovisual translation studies in Japan. This thesis attempts to contribute to this nascent research area and takes a closer look at the subtitling options for a deaf Japanese target audience and tries to detect areas of improvement.Show less
