Saikaku's works have been researched at great lengths. Many western and even more Japanese researchers attempted to create new viewpoints on his works. Due to the fact that more papers have written...Show moreSaikaku's works have been researched at great lengths. Many western and even more Japanese researchers attempted to create new viewpoints on his works. Due to the fact that more papers have written in Japanese than in western languages, not all aspects of Saikaku's works have made it overseas to a great extent. Two of these aspects are sui and tsū. Both internal parts of the red-light district culture that was thriving during the Edo period (1600 - 1868). Some researchers have touched upon these subjects, but tend to keep their explanation limited. As a western researcher, it is hard to come across information on these two aspects written in English. In this thesis, we will try to establish a definition of these two concepts and put the definition to the test by looking at passages of Kōshoku ichidai otoko 好色一代男 ("Life of an Amorous Man") written by IHARA Saikaku 井原西鶴 (1642 - 1693).Show less
This thesis takes a brief look at Edo era Yoshiwara art, and the disparity between what it portrays and represents. Furthermore, it takes a look at the way this art is currently portrayed and...Show moreThis thesis takes a brief look at Edo era Yoshiwara art, and the disparity between what it portrays and represents. Furthermore, it takes a look at the way this art is currently portrayed and spoken about; examining its place in modern art discourse.Show less
